Navajo Sovereignty: Understandings and Visions of the Diné People, a new collection of essays by Navajo authors, edited by Professor Lloyd L. Lee, tackles Indigenous sovereignty from a specifically Navajo perspective. The essays vary in tone and depth, but they all hit on or near the bulls-eye: revealing “the ongoing consequences of an imposed Western democratic governmental structure that transformed Navajo governance and leadership.”
The book demonstrates that Navajo society has not succumbed to the imposition of an alien governmental structure. The essays depict “tribal government” as a collaborator with colonial forms, but as Professor Jennifer Denetdale says in her Foreword, the authors “note the multiple ways and layers of how we are Diné and how we practice sovereignty and self-determination [and how] we work to transform governance….”
The authors do not shy from referring to U.S. federal Indian law as “U.S. claims to authority”; describing the “domestic dependent” relationship as “constraint,” rather than “protection”; and celebrating community cultural, organic sovereignty as “spaces of respite and rest from the ongoing effects of colonialism.” The book’s unflinching confrontation with the “colonial box” of federal Indian law combines with unabashed affirmation of Diné Fundamental Laws and philosophical principles, to advocate traditional Navajo governance to meet 21st century challenges.
Link here to the full review by Peter d’Errico in Indian Country Today.
I visited a reception for indigenous artist Alyssa Hinton (Tuscarora-Osage) yesterday, at the C X Silver Gallery in West Brattleboro, VT. We had a cheerful conversation about her artistic journey of discovery, first through intuition and then traditional knowledge – her focus being on her southeastern roots, but finding commonality with other native, earth-based cultures. One thing was clear through our exchange: the truth that traditional understandings are not destroyed, missing, or lost. All of this knowledge, these relationships, “ways of seeing,” are still here and still accessible to those who seek them. A Chadwick Allen quote from the exhibit program (using indigenous earthworks as its particular reference point) makes the point well:
“…like other Indigenous writing systems, they assert, earthworks and their encoded knowledge have been ‘asleep’ rather than ‘dead.’ Dormant but alive, they have waited to be awakened by descendants of their makers finally free to re-approach and even to remake them, finally freed of the psychological fetters of an internalized colonialism that has undervalued Indigenous technologies and ways of knowing. Earthworks have been waiting, they assert, for old scripts to be reactivated, for new scripts to be written and performed. A time of waiting appears near an end, near the beginning of a new cycle. That time of new beginning is now.” Chadwick Allen, University of Washington
The significance of this reality here in N’dakinna becomes more clear, and more affirming, each day.
Thursday, July 6, 2017 1 p.m. to 3 p.m.
Location: Abbe Museum, 26 Mount Desert Street, Bar Harbor, Maine
For more information: 207-288-3519; abbemuseum.org/events
In the Wabanaki homeland, the ocean is a central figure in the shaping of culture and worldview. The ocean has also been one of the most important Wabanaki food sources and has given life to communities for over 12,000 years. Join us at the Abbe as we welcome Kyle Pepperman from the Downeast Institute who will be on site with his aquatic touch tank! We will discuss marine life vital to Wabanaki culture and sustenance. This interactive program will also feature Abbe educators with artifacts and other materials used by Wabanaki people to harvest food from the ocean. This is sure to be a highlight of this summer!
Participation in this program is included with the price of admission and no prior registration is required.
Special thanks to the Downeast Institute, Kyle Pepperman, and Downeast Fisheries Trail.
See the original posting in the Bangor Daily News.
Roxanne Dunbar-Ortiz’s public talk focuses on North America in the context of US settler-colonialism. Professor Dunbar-Ortiz will discuss the friction between settler environmentalism and Indigenous knowledge, considering what is required for the environmental movement to develop authentic solidarity with Indigenous Peoples’ struggle for survival, leading to real anti-imperialist environmentalism.
Link to file for the Dunbar-Ortiz Poster.
A fundraiser from Christi and Isaac‘s Facebook profiles, two insightful and committed Native artists and activists.
48 Hour Auction! Ends Saturday March 4 at 9 pm ET. Winner gets both canvases!
Title: Serpents and Thunderbirds
By Isaac Murdoch and myself.
Two canvases make up this piece, each canvas is 12″ x 16″. Acrylic on Canvas.
Isaac’s painting of the serpent tells a tale of long ago. My painting is of the Thunderbird as it governs the night skies. The Serpent and Thunderbird keep the world in balance.
An insightful juxtapostion to keep in mind, relative to the West River…
This Saturday and very close to home, at Guilford Community Church! Tiokasin Ghosthorse is host of First Voices Indigenous Radio and a master of the traditional red cedar flute. Tiokasin has been described as “a spiritual agitator, natural rights organizer, Indigenous thinking process educator and a community activator.”