“Since the project began, Rasku said Mount Grace has coordinated with the Abenaki, Nipmuc, Narragansett and Wampanoag tribes due to the land’s cultural significance.
“It’s had a lot of features tribal nations would appreciate,” he said, explaining the tribes could gather medicinal plants, harvest the nearby farm fields and take advantage of the water source, making the area around the pond active.
As such, Rasku said that in making the accessible trail, Mount Grace has avoided changing the terrain or excavating out of respect for the land’s Native American history.”
Read the full article by Shelby Ashline in the Greenfield Recorder here.
Interpretive signage on the Ames Trail will include information about Abenaki cultural lifeways and language translations for our many indigenous relations. Aln8baodwaw8gan!
I was asked by someone recently what is it that makes the Kwenitekw, n’sibo, our river, sacred. Is it the traditional fishing places? Is it the burials of the ancestors? What follows is my reply:
Thank you for asking; these are understandings that are foundational and go below the surface of things. I hope we have a chance to speak together again some day, for it is simpler to express these things in person. But I will share a few things:
- It is important to remember that words have power and they derive from our worldview, which is expressed in the cultural tool we call language. There are many languages, and many ways of seeing the world. They differ dramatically, and the use of a word, or concept, can mean very different things to different people. Thus, “sacred.” When speaking of Abenaki cultural concepts, one cannot look at it through a Western religious lens. The dictionary definitions that fit “sacred” best are (from Merriam-Webster): 1) entitled to reverence and respect and 2) highly valued and important, as in “a sacred responsibility.” It is not a religious designation, but rather a spiritual recognition.
- So, with regard to your questions of the river’s significance regarding fishing locations or burial grounds, the answer is yes, all of that, and much more. The reason being that we are all related, all equally significant, and part of the same great circle of Creation. Time does not exist in a linear sense, but is a continuum, constantly changing but all part of the same. Thus, we as human beings (in common with, say, plant beings, fish beings, stone beings, wind beings) have a ongoing responsibility to honor these relationships. We cannot act to harm the River, as it is as deserving of respect as anyone else, and in fact, we derive our very life from it – it would be very shortsighted to do otherwise..
- As indigenous people (defined as the original people of a distinct place), we so identify with our homelands that we see ourselves as part of it, inseparable and continuous. For example, when an Abenaki person identifies him- or herself, they would not say “My name is so-and-so and I live in Brattleboro.” They would state “… I am Brattleboro.” Consequently, one’s attitudes and actions toward the River, are as unto one’s very self and one’s family, because it is exactly that. We (most of us!) consider human life to be sacred. So is the river.
- You have heard the expression, especially this past year with the action at Standing Rock, that “Water Is Life.” This plays out clearly in the Abenaki language, which by nature embodies its cultural worldview. Let me explain that, in a Native sense, the well-known term “medicine” means anything that promotes or sustains health and vitality – this makes complete sense, but in our Western way of thinking it has been separated and limited into a drug that addresses (often only symptomatically) sickness. It has got the relationship backwards and misses most of the bigger picture of the interconnectedness of life. The word for water in Abenaki is “nebi”; the word for medicine in Abenaki is “nebizon.” So, you can see, that water is at the heart of life. The River is our great provider, for which we can only be grateful.
- To learn that burials are often at the edge of the River is no coincidence. I don’t think I even need to explain that one! It is a place where strong connections have always been made, and where they can be accessed over and over. We go there to pay our respects to our ancestors, to say thank you to the water, and to pray for the same blessings for the generations to come. It is our “church.” There are certainly other places that are important as well, but the River is at the heart of them all. It unifies and connects – think in terms of a watershed – a flowing cradle, a web, an endless cycle enveloping the people.
The Abenaki are here. They exist. And yet, they still live in a reality where not everyone is aware of that. But that is changing, slowly, but it is changing, said Joe Graveline, a member of the Northfield Historical Commission.
“They are having a renaissance, a rebirth in understanding their heritage,” he said. “They are finding their voice.”
A better understanding not only of the history of the Abenaki people but their place in the here and now — is just one of the many reasons why living history events like the one the Northfield Historical Commission is sponsoring this weekend are so important, Graveline said.
Read the full article in the Brattleboro Reformer. Two previous posts on Sokoki Sojourn reference Greenfield Recorder articles about the same event (here and here). Unfortunately, this well-written article ran a week too late. The Northfield event had already been held the previous weekend, on June 11, 2017.
Also, one correction, with respect to the quote “Among the Abenaki people, who made their homes in the Connecticut River Valley of what is now New Hampshire, Vermont and Massachusetts, were the Sokoki and a smaller, related band called the Squakheags — both members of the larger Abenaki nation.” These are, in fact, the same people. A simple linguistic comparison between Squakheag and Sokwakik (Sokoki, in today’s usage) makes that clear. More on that soon…
Nokahigas 8tawiwi Wantastegok Wajo paml8gwik.
Strawberry (Hoer) moon above Mount Wantastiquet tonight (6/9/2017).
A timeless sight, via Jess Robinson.
For his exhibition, Tim Brookes carved phrases into indigenous wood using disappearing or endangered alphabets from across the globe. Pictured, in Abenaki, the phrase, ‘Language of the grandfathers who went before’ is carved into a plank of walnut. Photo from VPR.
Six years ago, writer and Champlain College professor Tim Brookes carved letters into wooden planks to give to family as holiday gifts. The presents were well received and Brookes enjoyed his new hobby. He added new and different alphabet letters and languages to his hand-carved signs. Then, by chance, Brookes learned just how many of the globe’s writing systems were disappearing and a project was born: The Endangered Alphabets Project.
Brookes talked with VPR about the Endangered Alphabets Project exhibition, up now at Champlain College through March 10. The thirteen carvings each bear the phrase, “Mother Tongue,” written in Abenaki, Balinese, Mandean, Inuktitut and several other cultures whose written word is disappearing.
Full article and podcast at VPR.