Nebizon melikigen – strong medicine (Lobelia inflata). And, from Joseph Elie Joubert: “The Abenaki called it “Akwi odam8w8gan nebizon” = Stop smoking medicine. Lobelia inflata is Indian Tobacco and is great to relieve nicotine urges. It is a homeopathic medicine.”
Transcript reposted here verbatim. Accuracy of the material not vouched for.
It’s a small sight amid Lake Champlain’s, but the tiny island Rock Dunder has a deep significance in Abenaki mythology.
The legend begins with Oodzee-hozo, who Abenaki’s believe was an ancient being and creator. They believe he created himself but grew impatient and did not create himself legs. When he created the hills and mountains, he formed them with his hands. But when he created the rivers, he did so by dragging his body around.
After everything was created, he was most proud of Lake Champlain. He wanted to be able to admire it forever, so he transformed himself into Rock Dunder so he could forever look upon his creation.
The name “Dunder” has led to some speculation on the legend. Researches can’t seem to find a connection to the word and folklore. Some believe the name came from the old slang meaning of the word, which meant “stupid thing”. The rock is said to be in the middle of a shipping lane, and perhaps it was nicknamed that because of the nuisance it posed.
For the first time, a Mi’kmaw-Indigenous float will lead the 30th annual Halifax Pride Parade on July 22. John R. Sylliboy, co-founder of the Wabanaki Two-Spirit Alliance that submitted the float, was informed of the decision on Monday.
“The Grand Marshalls recognized the importance of an Indigenous float so they said they supported (the idea) that the Indigenous float goes first and that they would follow us in the parade,” Sylliboy said. “It was nice of them,” he added.
The parade is part of the Halifax Pride Festival which begins today and runs until July 30. Approximately 120,000 participate in the annual festival.
Read the full story by Maureen Googoo at Kukukwes.com.
Folks in Bar Harbor got to experience a little taste of history. The annual Native American Festival and Basketmakers market brought music, dance, and a lesson in culture to Downeast Maine.
“You know Maine a lot of times doesn’t really know much about indigenous population so it’s a wonderful gathering of artisans and drummers and sharing.”
Each handcrafted item represents the beauty and culture of the Maliseet, Micmac, Passamaquoddy, and Penobscot people. For many visitors it’s a chance to meet artists and learn about contemporary Wabanaki art from the Maritimes.
“It’s a wonderful thing to see each other and share our music with them. We are a strong part of Maine history and we would like to bring that back.”
The 4th Annual Pocumtuck Homelands Festival, a celebration of Native American Art, Music, and Culture, takes place on Saturday, August 5, 2017, from 10 a.m. to 7 p.m. at Unity Park Waterfront in Turners Falls, MA. The event is free, family friendly, fun, educational, accessible, and of interest to all ages.
Performances include live traditional, original, and fusion music, a story teller, and three drum groups. There will be outstanding Native American artists, and games, activities and crafts for children. Also featured will be primitive skills demonstrations, a books and authors section, and condensed history lessons about Great Falls. The Mashantucket-Pequot archaeology team will be on site for the second time to analyze early contact period artifacts people bring to them. And Tim MacSweeney, keeper of the website Waking Up On Turtle Island, can help explain the significance of threatened sites considered sacred to the tribes such as in Shutesbury and Sandisfield. Food will be available, including Native American fare.
Performers will be Hawk Henries, Nipmuc flute player and flute maker; the Kingfisher Singers and Dancers, Wampanoag from the Mashpee, Aquinnah, and Herring Pond communities; story teller Larry Spotted Crow Mann, Nipmuc; the Medicine Mammals Singers; and Lee Mixashawn Rozie, who uses instrumental virtuosity and stories to illuminate the indigenous and African roots of “American” music. Be energized by the presence of three drums: Chief Don Stevens and the Nulhegan-Coosuk Band of the Abenaki Singers, plus returning favorites, the Black Hawk Singers (Abenaki), and the Visioning B.E.A.R. Circle Intertribal Coalition Singers.
Interpretive text may soon be added to a controversial mural at the Durham Post Office to give it historical context, but a group representing Native Americans still say that is not enough.
The mural was questioned last year by Rev. Larry Brickner-Wood of the Waysmeet Center at the University of New Hampshire. Brickner-Wood said at the time that he has always felt uneasy about what is depicted in the panel “Cruel Adversity,” which shows a Native American preparing to torch a settler’s home.
According to a decades-old brochure about the 16-panel mural, it was commissioned by the Women’s Club of Durham in 1959 and painted by artist Bernard Chapman. The goal was to reflect the history of the town, and the panel is meant to depict the Oyster River Massacre of 1694, where five garrison-style homes and 15 dwellings were burned. It is believed 100 people were killed or carried off.
Last week, during a meeting with town officials, members of the New Hampshire Commission of Native American Affairs, a representative from the New Hampshire Division of Cultural Affairs and a representative from the United States Postal Service (USPS), the idea of installing interpretive text on the wall was brought up. The USPS has a policy that it does not remove or cover historic artwork, and it does not allow new artwork to be added, according to town administrator Todd Selig.
For millennia, the ancestors of today’s Mohawk, Abenaki and other Native tribes have called the Adirondack Mountains home. Yet much of that history, not to mention present experience, has gone unrecognized. A new exhibit aims to change all that.
“We have not tackled the story of Native Americans in the Adirondacks in the past,” said David Kahn, executive director of The Adirondack Experience, The Museum on Blue Mountain Lake, formerly the Adirondack Museum. “The institution has been influenced by the sort of general perception that Native Americans didn’t really live here full time, this hasn’t been Native territory. But it’s not true.”