Institute for American Indian Studies Exhibit Features Abenaki Creative Process

vera longtoe sheehan aln8bak wearing our heritage

On February 24 at 2 p.m. the Institute for American Indian Studies, 38 Curtis Road, Washington, CT welcomes Vera Longtoe Sheehan, Abenaki, one of the creative minds behind the exhibit, “Alnobak Wearing Our Heritage.”

Vera Longtoe Sheehan, notes “this exhibit is unique because it is the first traveling exhibit about Abenaki people that are still here living on the land and creating wonderful things.” During this fascinating talk, Sheehan will explain how items in the current exhibition are made and used to express Native Identity.

This beautifully curated exhibit is composed of artifact clothing as well as contemporary pieces made by Vermont’s Abenaki artists, community members, and tribal leaders. The show offers a chronological look at Abenaki fashion and adornment. There is everything from a beautiful 17th-century style buckskin dress by Melody Walker Brook to a hip looking denim jean jacket with a Tolba or turtle design created by Vera Longtoe Sheehan.

 “The message of this exhibit is that we are still here and that we know our history and still respect and practice our culture,” said Longtoe Sheehan. Many of us practice both traditional designs and clothes such as the twined woven dress and handbag I made as well as contemporary designs using a jean jacket, in different ways, both connects my family tradition to thousands of years of our history.”
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Marge Bruchac: Savage Kin – Indigenous Informants & American Anthropologists

In this provocative new book, Margaret M. Bruchac, an Indigenous anthropologist, turns the word savage on its head. Savage Kin explores the nature of the relationships between Indigenous informants such as Gladys Tantaquidgeon (Mohegan), Jesse Cornplanter (Seneca), and George Hunt (Tlingit), and early twentieth-century anthropological collectors such as Frank Speck, Arthur C. Parker, William N. Fenton, and Franz Boas.

This book reconceptualizes the intimate details of encounters with Native interlocutors who by turns inspired, facilitated, and resisted the anthropological enterprise. Like other texts focused on this era, Savage Kin features some of the elite white men credited with salvaging material that might otherwise have been lost. Unlike other texts, this book highlights the intellectual contributions and cultural strategies of unsung Indigenous informants without whom this research could never have taken place.

These bicultural partnerships transgressed social divides and blurred the roles of anthropologist/informant, relative/stranger, and collector/collected. Yet these stories were obscured by collecting practices that separated people from objects, objects from communities, and communities from stories. Bruchac’s decolonizing efforts include “reverse ethnography”—painstakingly tracking seemingly unidentifiable objects, misconstrued social relations, unpublished correspondence, and unattributed field notes—to recover this evidence. Those early encounters generated foundational knowledges that still affect Indigenous communities today.

This book also contains unexpected narratives of human and other-­than-human encounters—brilliant discoveries, lessons from ancestral spirits, prophetic warnings, powerful gifts, and personal tragedies—that Native and non-Native readers alike will find deeply moving.

Coming out in January 2018. Pre-order here! 

WNPR and Lisa Brook’s Forthcoming Book: Our Beloved Kin

our beloved kin lisa brooks book
Coming out on January 9, 2018 from Yale University Press – this looks amazing… A compelling and original recovery of Native American resistance and adaptation to colonial America.

With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the “First Indian War” (later named King Philip’s War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England, reading the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history.

Listen to a NEXT interview by John Dankosky on WNPR with author Professor Lisa Brooks about her compelling new work “Our Beloved Kin” (scroll halfway down).

Pre-order a copy here.

Lisa Brooks is associate professor of English and American studies at Amherst College. She is author of The Common Pot: The Recovery of Native Space in the Northeast.

Greenfield Recorder: Native American Heritage Day Observed

cheryll-toney-holley-below-great-falls

Indigenous tribes called Franklin County home long before European colonizers landed in North America. Native American Heritage Day, observed since 2008 on the day after Thanksgiving, is an opportunity to recognize and discuss that history.

“We have this single day, Friday, Native American Heritage Day, which was designated by an act of Congress in 2008 — relatively recently,” said Rich Holschuh, who is from the Elnu Abenaki tribe. Abenaki homeland ran north to the St. Lawrence River in Canada, and south to Deerfield, with Turners Falls being “the nexus for all tribes in that area,” according to Holschuh. [note: I (Rich) am not a citizen of Elnu, but I do work extensively with them and others in the contemporary community.]

Holschuh also serves on the Vermont Commission on Native American Affairs.

The resolution for Native American Heritage Day, signed by President George W. Bush, acknowledges Native people “for their contributions to the United States as local and national leaders, artists, athletes, and scholars.” Local advocates focus on a darker side of American history.

“It is with great sadness that we look back, just on the last 340 years, since this peaceful area of shared resources was witness to a terrible massacre of refugees from the regional war that was going on over who would control the land,” said David Detmold, representing the Nolumbeka Project, a non-tribal organization advocating for New England’s Native American tribes.

Detmold referred to The Battle of Great Falls, a decisive fight of King Philip’s War that took place on the banks of the Connecticut River between present-day Gill and Montague. He noted the Nolumbeka Project is part of a group studying the battle through a National Parks Service grant.

Read the full article by Andy Castillo in The (Greenfield) Recorder here.

Daniel Paul Still Has a Message to Deliver

daniel paul mikmaq activist author

With the release of two new books, Daniel Paul is adding new material to his decades-long crusade to educate people about Mi’kmaq history.

The Mi’kmaw elder, who is best-known for his seminal history book We Were Not the Savages, recently published his first, and likely his last, novel Chief Lightning Bolt. Paul wrote the novel 20 years ago and then put it aside. He returned to it with a fresh set of eyes, had others read and edit it, and decided it was time to release the book publicly. “I wanted to see it published before I die,” he said in a recent interview.

Paul, who was born on the Indian Brook Reserve (now Sipekne’katik First Nation), turns 79 next month. He had a brush with mortality when he underwent treatment for prostate cancer. Doctors gave him the okay after he completed treatment in November 2016, but the ordeal took its toll on his health.

In his novel, published by Fernwood Publishing, Paul brings to life a contemporary Mi’kmaq legend of a man, who becomes chief and a renowned warrior and peacemaker. In the process he comes to embody Mi’kmaq values of humility, courage, honour, and service to others.

While Paul’s previous non-fiction book told the story of the Mi’kmaq and their fate after the arrival of the Europeans, in his novel he tells the story of the Mi’kmaq prior to the arrival of European colonizers.

“The best way to do it (tell the story) was a fictional novel,” he said.

“Some people accused me of writing fiction when I wrote We Were Not the Savages,” he added with a laugh.

Read the full article by Allison Lawlor in the Chronicle-Herald.

An Evening with Vermont Abenaki Artists Association: Nov. 14 at the Flynn Center

bryan blanchette flynn center vaaa
“The story is here, but it’s been hidden. The Abenaki people, who were written out of the story, are still here.” —VPR

At the Flynn for the first time, the Vermont Abenaki Artists Association shares a performance of both traditional and contemporary Abenaki music, storytelling, and drumming. Performers include Chief Don Stevens, Chief of the Nulhegan band of the Coosuk Abenaki, Nulhegan Abenaki Drum, who combine traditional Northeastern music with the sound of the big powwow drumming, and Bryan Blanchette, a Berklee alumnus who started singing at powwows over 20 years ago and who is currently writing and performing new Abenaki language songs.

Tomorrow, November 14th, from 7:30-10 pm, at the Flynn Center for the Performing Arts, 153 main St., Burlington, VT 05401.

Tickets went on sale to Flynn members on Tuesday, July 18 and to the general public on Wednesday, August 2. Flynn membership starts at $50 and is available at any time. To become a member visit http://www.flynncenter.org/support-us/membership.html.