Mount Grace Land Conservation Trust at Wantastegok

radder wantastegok retreat farm mount grace

“The Elnu Abenaki Tribe have partnered with Mount Grace since the early planning of the Gunnery Sergeant Jeff Ames Wheelchair Accessible Trail, which now guides visitors through a series of interpretive signs emphasizing the Abenaki’s continued connection to the lands that make up Squakheag/Northfield.

Elnu representatives worked with Mount Grace, and with the Wampanoag Aquinnah and Narragansett Nations, to describe the cultural importance of the Alderbrook Meadows site and helped design the educational signs for the trail.

This August, Mount Grace was invited to Vermont by the Elnu to witness the reclamation of Wantastegok–”at the river where something is lost”–the original name of the confluence of the West River with the Connecticut in Brattleboro.”

Read the full article in the 9/8/20 Mount Grace newsletter.

 

Vermont Humanities Fall Conference 20/20: Democracy, Social Change, and Representation in Nd’akinna

This video is part of Vermont Humanities’ “Democracy 20/20” digital Fall Conference.

The panel was led by Vera Longtoe Sheehan, the director of the Vermont Abenaki Artists Association, and features Abenaki leaders, mentors, and community members. From upper left, clockwise: Sherry Gould (Nulhegan), Brian Chenevert (Nulhegan), Vera Longtoe Sheehan (Elnu), Jim Taylor (Elnu).

Beginning with a greeting and historic overview of democracy in Nd’akinna (Western Abenaki for Our Land), this panel of Abenaki voices considers the threads of place, home, belonging, and representation in a time of great social change.

Reclaiming the Abenaki Placename Wantastegok at Retreat Farm

The Brattleboro Words Project commissioned this appealing, succinct video by filmmaker Donna Blackney, as part of its NEH-funded documentation of the intersection of people, places ,and words in this region. The event was well-attended and well-received, and signals the beginning of an inclusive and mindful collaboration between the Elnu Abenaki, other members of the Native community, and Retreat Farm, in Wantastegok/Brattleboro.

This video will be shared several times through programming at Brattleboro Community Television (listing here).

Layers of Land, Layers of Experience

wantastegok retreat farm sign ceremony

Visitors to the Retreat Meadows on Route 30 across from the Retreat Farm have a new opportunity to experience the confluence of the West and Connecticut rivers from a perspective that celebrates and honors the region as the homeland of the Abenaki people.

After a brief ceremony on Aug. 13, leaders of the Elnu Abenaki and the Retreat Farm joined Native Americans and others in the community in unveiling an interpretive sign for Wantastegok, the original Abenaki word for the area.

“It refers to the confluence of the West and the Connecticut rivers, a place where things come together, a place where things are lost, a place where things are found,” said Rich Holschuh, a spokesperson for the Elnu Abenaki and author of the text on the sign at the edge of the Retreat Meadows.

Read the full report from Olga Peters in The Commons (issue #576, 08.26.20), photography courtesy of Josh Steele.

 

Reclaiming the Wantastegok Name

roger longtoe welcoming song retreat farm

The entrance at Retreat Meadows on Route 30 now has a sign bearing the original name of the area, Wantastegok, which Sokoki Abenaki called home for 12,000 years.

“That is the original name of this place — it refers to the confluence of the West and the Connecticut rivers, a place where things come together, a place where things are lost, a place where things are found,” said Rich Holschuh of Brattleboro, a proponent of initiatives aimed at recognizing Abenaki history. “This is the occasion of launching a journey.”

The sign will be part of a trail system around the water, Holschuh said. Other markers are anticipated to tell native stories and share local history.

The ceremony began with Chief Roger Longtoe Sheehan of the Elnu Abenaki Tribe singing a traditional Abenaki greeting song. He lives in Jamaica. “Hello and welcome to the land of the Abenaki,” he said.

Read the full story by Chris Mays in the Brattleboro Reformer (08.14.20), with photography by Kristopher Radder.

Nebi, Abenaki Ways of Knowing Water

A just-released short film by Vince Franke of Peregrine Productions, LLC, created to support the watershed education programs of Lake Champlain Sea Grant, UVM Extension, the Rubenstein School of Environment and Natural Resources, and to help preserve these stories for the Abenaki and others. Funding was provided by NOAA, Sea Grant, and an anonymous donor.

Centering on Bitawbagw/Lake Champlain and then water in general, the film is a series of interviews with people in the Native community expressing their understanding of  being in relationship with life-giving water. Each story teller provides their own unique interpretation; I was honored to participate in this group effort with Chief Don Stevens, Chief Roger Longtoe Sheehan, Chief Eugene Rich, Melody Brook, Lucy Cannon Neel, Cody Hemenway, Morgan Lamphere, Bea Nelson, Fred Wiseman, and Kerry Wood.

#WaterIsLife

Direct link to Vimeo here.

A Bit Part in CRC’s Source-to-Sea Journey Video

Elnu Abenaki Chief Roger Longtoe Sheehan and I have an appearance in this newly released documentary from the Connecticut River Conservancy. At 8:40 into the video, we share some indigenous perspectives on the essential role the Kwenitekw plays in the landscape of life here.

Mark Bushnell at VTDigger: Uncovering Vermont’s Stone Carvings

Bellows Falls Petroglyphs 1866

Note: Mark Bushnell is a Vermont journalist and historian. He is the author of “Hidden History of Vermont” and “It Happened in Vermont.” Mark called me for comments as he was putting this VTDigger column together.

When Rev. David McClure of Dartmouth College ventured down the Connecticut River to Bellows Falls in 1789, he was on a scientific mission. As a natural philosopher – what we might today call a scientist – McClure was interested in stone carvings he had heard about from a local man. The carvings, cut into an outcropping on the Vermont side of the river, depicted a series of faces.

“The figures have the appearance of great antiquity,” McClure wrote, noting that the British colonists who first settled the area a half-century earlier had observed them. The faces were life-sized images consisting of a simple oval with markings for eyes, nose, mouth and perhaps ears, McClure wrote. Some had lines sticking out of their heads that various observers have taken to be feathers, horns or rays.

McClure’s was apparently the first written account of the carved rocks, which have been described as the oldest pieces of art in Vermont. How old? Though experts agree the carvings were made by Native Americans, they are unwilling to ascribe a specific date, or even era, to the petroglyphs, which literally means “stone carvings.” They could be anywhere from 300 to 3,000 years old.

The written observations of McClure and subsequent visitors during the 19th and early 20th centuries are invaluable because they offer a snapshot of these artifacts, which have been changing over time. If descriptions of the petroglyphs have varied since McClure’s visit, so too have the interpretations of their meaning.

Read the full article in VTDigger here.

Unearthing the New Narratives of 1676

unearthing the new narratives of 1676

As many of you know, David Brule, president of the Nolumbeka Project, is also the coordinator of the National Park Service Battlefield Protection Program Study here in the Wissatinnewag-Peskeompskut area and helped organize this informational presentation.  The session is hosted by the Battlefield Grant Advisory Board which is composed of five towns and four tribes.

The Aquinnah Wampanoag, the Chaubunagungamaug Band of Nipmuck Indians, the Elnu Abenaki, and the Narragansett Indian Tribe, as well as Historical Commissioners from Montague, Greenfield, Gill, Northfield and Deerfield have been meeting monthly over the past five years, coordinating this battlefield study of the complex massacre and counter-attack in 1676 that has marked our region over the subsequent centuries.

6:30 — 7:15 P.M. A power point presentation will focus on the final Phase II archaeological report of the Research Team of the Mashantucket Pequot Museum. The Team did extensive field research on the battlefield terrain stretching from Riverside through Factory Hollow and into the Nash’s Mills area of Greenfield. Their discoveries and new interpretations of the event add to the growing body of knowledge, fueling high local and regional interest in the event of May 19, 1676.
7:15 — 8:30 P.M. The second part of the program will feature a panel of four Tribal Historical Preservation Officers and Christine De Lucia, noted author and assistant professor of History at Mt Holyoke College. They will address the topic of “Unearthing the New Narratives of 1676” and will welcome questions and opinions from the public.   preseThis Public Information Session is sponsored by the Montague Planning Department, and the National Park Service Battlefield Protection Program.  For more information call 413-863-3200×207 or www.kpwar.org .

Burlington Free Press: Abenaki Heritage Weekend Coming Up

abenaki heritage weekend drumming lcmm

Join the Abenaki community on June 23 and June 24 at Lake Champlain Maritime Museum near Vergennes for a weekend of family fun and cultural sharing that is deeply rooted in local Native American heritage.

Organized by the Vermont Abenaki Artists Association with members of the Elnu Abenaki Tribe, the Nulhegan Band of the Coosuk, Koasek Traditional Band of the Koas Abenaki Nation, Missisquoi Abenaki Tribe and guest artists, the event is designed to give visitors an Indigenous perspective on life in the Champlain Valley both past and present.

Activities will include drumming, storytelling, craft and cooking demonstrations, an Arts Marketplace, and presentations by guest artists including Black Hawk Singers Drum Group, and Jesse Bruchac telling stories in Abenaki and English, accompanied by flute and drum.

See the full story in the Burlington Free Press.