Forbes Library: Native Americans and the Land

forbes library native american land authors

Tonight – March 21, 2018 from 7 -8:30 pm
Forbes Library, 20 West Street, Northampton, MA

-Lisa Brooks, author, “Our Beloved Kin”
-Cheryl Savageau, author, “Mother/Land”
-Jillian Hensley, author, “In This Strange Soil”

In “Native Americans and the Land,” three authors contemplate the first inhabitants of North America and their conceptions of living with the land. As we struggle to envision a healthier relationship with our natural world, looking through the lens of other cultural imaginations has never been more relevant. Recently, conflict over building the Dakota Access oil pipeline and the rise of the #NoDAPL movement have brought Native American perspectives to the forefront of environmental discourse. In nonfiction, poetry and fiction, these writers look through native eyes.

== Where the Real and the Surreal Meet ==
The Modern Real and Surreal: Writers and Artists on Our Age, is the Forbes Library’s author reading series. Now in its third season, the series explores contemporary themes on the premise that libraries offer vibrant spaces to engage with and explore our era’s most pressing questions – questions that in their surprises and contradictions can be understood through either a realistic lens or through fantasy, science fiction and the surreal. The series invites the community to join us in examining how story and art can provide empathy and insight in our accelerating world.

The series features writers in genres ranging from fiction to nonfiction to poetry. The role of the image in conveying literary themes will be explored, too, in events on comics & graphic novels, film and screenwriting, and nature word-and-image pairings. Current issues from our political and social milieu will also form an important backbone as these authors share from their fine work.


With Nolumbeka at GCC: Christine DeLucia’s Memory Lands

memory lands christine delucia nolumbeka poster

A powerful study of King Philip’s War and its enduring effects on histories, memories, and places in Native New England from 1675 to the present.

“A brilliant exploration of the interweaving of past, present, and future, Memory Lands casts a fresh light on the maelstrom of violence known as King Philip’s War. The landscape of New England will never look the same after reading this important and haunting book” – Karl Jacoby, author of Shadows at Dawn: A Borderlands Massacre and the Violence of History

Noted historian Christine DeLucia offers a major reconsideration of the violent seventeenth-century conflict in northeastern America known as “King Philip’s War,” providing an alternative to “Pilgrim-centric” narratives that have conventionally dominated the histories of colonial New England. DeLucia grounds her study of one of the most devastating conflicts between Native Americans and European settlers in early America in five specific places that were directly affected by the crisis, spanning the Northeast as well as the Atlantic World. She examines the war’s effects on the everyday lives and collective mentalities of the region’s diverse Native and Euro-American communities over the course of several centuries, focusing on persistent struggles over land and water, sovereignty, resistance, cultural memory, and intercultural interactions. An enlightening work that draws from oral traditions, archival traces, material and visual culture, archaeology, literature, and environmental studies, this study reassesses the nature and enduring legacies of a watershed historical event.

Christine M. DeLucia
is assistant professor of history at Mount Holyoke College. She grew up in Amoskeag/Manchester, New Hampshire, and presently lives in South Hadley, Massachusetts, in the heart of the Kwinitekw/Connecticut River Valley.

Praise for MEMORY LANDS:
“Having tromped through woods, swamps, and widely-flung archives, Christine DeLucia has produced a powerfully poetic study of the dynamic, frequently conflicting meanings of Indigenous and settler memoryscapes in New England.”
—Jean M. O’Brien, author of Firsting and Lasting: Writing Indians Out of Existence in New England
“A remarkable ‘reopening’ of the history of New England. Christine DeLucia turns our attention to the ‘memoryscapes’ in our midst, demanding reconsideration of the markers, monuments, objects and placeworlds that memorialize King Philip’s War, alongside the processes that alternatively repress and recover Indigenous histories of survivance.”
—Lisa Brooks, author of The Common Pot: the Recovery of Native Space in the Northeast

Bringing Together Two Sides of Vermont

don stevens drum flynn center vaaa

A preview of the Vermont Abenaki Artists Association, performing traditional and contemporary Abenaki music, storytelling, and drumming in FlynnSpace on November 14 at 7:30 pm. By KieraHufford, contributor to @flynncenter Tumblr.

The Abenaki people, like many Native Americans, have been living in America since before European settlers arrived. However, the tribes only received state recognition five years ago, in 2012. The Flynn welcomes the Vermont Abenaki Artists Association (VAAA), giving them a space to share parts of their culture with the public—a performance that would have felt entirely different had it taken place in 2010.

When Chief Roger Longtoe Sheehan of the Elnu Abenaki spoke with Vermont Public Radio (VPR) back in 2016, he talked about the importance of state recognition. “Before we had state recognition, whenever we made something—a pipe, a wampum bracelet, whatever—and we sold it, we had to say that we were of ‘Abenaki descent.’ We couldn’t say that we were Abenaki from such-and-such a tribe. That’s a federal law. You could get hit with a $250,000 fine per item.”

It made it difficult for Abenaki people to share their heritage. They couldn’t label their creations as being made by members of the Abenaki tribes, even though that’s who they are. And even now, they have to carry a native card proving that they’re members of the tribes; however, who they are, their culture, and where they come from is in their blood. It’s their identity, and a card shouldn’t be needed to prove that.

One of the biggest problems, according to the Abenaki, is that the Vermont Agency of Education doesn’t have a mandated curriculum surround the Abenaki people and their culture, so many students go through school and never really learn about their history or existence. The Abenaki are hoping to change that in the coming years.

“If we were going to sum up the state of where things are with the Abenaki right now, I would say change,” Eugene Rich, co-chair of the Missisquoi Abenaki Tribal Council, told VPR. “I think we’re trying to change our public persona.”

According to their website, the VAAA “embodies the history, culture, and art of the Abenaki people. While most of our artists and performers preserve and pass on the traditional art of our ancestors, others create contemporary artistic expressions that are informed by tradition.” Their mission is to promote Vermont’s Indigenous arts/artists while providing a place to share ideas and develop professionally as entrepreneurs.

The VAAA wants the Vermont public to be able to find and engage artists like Chief Don Stevens, of the Nulhegan band of the Coosuk Abenaki; Nulhegan Abenaki Drum, who combine traditional Northeastern music with the sound of the big powwow drumming; and Bryan Blanchette, who began singing at powwows 20 years ago and is currently writing/performing new Abenaki language songs, who will be performing at the Flynn.

The Abenaki have a place of belonging in Vermont, a place that should be recognized and unquestioned by the state’s residents. Not every Native American appears the same, but that doesn’t mean they have to prove their culture. The best way to combat this thinking is by learning, by understanding the Abenaki culture and how it, too, has adapted as the years have gone by.

An Evening with Vermont Abenaki Artists Association: Nov. 14 at the Flynn Center

bryan blanchette flynn center vaaa
“The story is here, but it’s been hidden. The Abenaki people, who were written out of the story, are still here.” —VPR

At the Flynn for the first time, the Vermont Abenaki Artists Association shares a performance of both traditional and contemporary Abenaki music, storytelling, and drumming. Performers include Chief Don Stevens, Chief of the Nulhegan band of the Coosuk Abenaki, Nulhegan Abenaki Drum, who combine traditional Northeastern music with the sound of the big powwow drumming, and Bryan Blanchette, a Berklee alumnus who started singing at powwows over 20 years ago and who is currently writing and performing new Abenaki language songs.

Tomorrow, November 14th, from 7:30-10 pm, at the Flynn Center for the Performing Arts, 153 main St., Burlington, VT 05401.

Tickets went on sale to Flynn members on Tuesday, July 18 and to the general public on Wednesday, August 2. Flynn membership starts at $50 and is available at any time. To become a member visit

Jean O’Brien on “Firsting and Lasting” at CT Historical Society Nov. 15

Firsting and Lasting: Writing Indians Out of Existence in New England

An evening with author and professor of history, Jean M. O’Brien, Ph.D.
Wednesday, November 15 @ 6:00 pm – 7:30 pm

Connecticut Historical Society, Hartford, CT

Please join us and the members of the Mohegan Tribe for a special presentation by Professor Jean M. O’Brien (University of Minnesota). Dr. O’Brien will present on her  book, Firsting and Lasting: Writing Indians Out of Existence in New England (University of Minnesota Press, 2010).  Drawing on more than six hundred local histories from Massachusetts, Connecticut, and Rhode Island, Dr. O’Brien explores how these narratives inculcated the myth of Indian extinction, a myth that has stubbornly remained in the American consciousness. Firsting and Lasting argues that local histories became a primary means by which European Americans asserted their own modernity while denying it to Indian peoples.

This event is free, but please RSVP to let us know you will attend at (860) 236-5621 x238 or

Jean M. O’Brien (White Earth Ojibwe) is professor of history at the University of Minnesota, where she is also affiliated with American Indian studies and American studies. She is the author of Dispossession by Degrees: Indian Land and Identity in Natick, Massachusetts, 1650–1790.

Brooks Library (Wantastegok): Wearing Our History – Abenaki Artists Panel Discussion

Vermont Abenaki Artists Association Aln8bak Wearing Our Heritage

Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. Some of the topics will include: The Indian Arts and Crafts Law of 1990; art informed by tradition and what it means to be a Native American artist in the 21st century; honoring the past through art, and how artists walk the Red Road recognizing our ancestors. The panel will include [Elnu Abenaki] S8gm8 (Chief) Roger Longtoe Sheehan and Willow Greene, moderated by Vera Longtoe Sheehan.

This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Find out more about the event and panel at or (802) 254-5290.

Wednesday, November 8 at 7 PM – 9 PM
Brooks Memorial Library
224 Main St, Brattleboro, Vermont 02645