Please note that the May 19th appearance with Doug Harris is part of the Day of Remembrance Commemoration of the 342nd Anniversary of the Great Falls Massacre and the 14th Anniversary of the Reconciliation Ceremony between the Narragansett and the Town of Montague. The evening before, May 18, 7:30 p.m., our special guests will be authors Lisa Brooks and Christine DeLucia whose books about King Philip’s War were recently published. Read more on our website, www.nolumbekaproject.org. Reminder: Christine DeLucia will be giving a presentation at GCC on Wednesday, April 4, at 7 p.m. More on website and Facebook.
-Lisa Brooks, author, “Our Beloved Kin”
-Cheryl Savageau, author, “Mother/Land”
-Jillian Hensley, author, “In This Strange Soil”
In “Native Americans and the Land,” three authors contemplate the first inhabitants of North America and their conceptions of living with the land. As we struggle to envision a healthier relationship with our natural world, looking through the lens of other cultural imaginations has never been more relevant. Recently, conflict over building the Dakota Access oil pipeline and the rise of the #NoDAPL movement have brought Native American perspectives to the forefront of environmental discourse. In nonfiction, poetry and fiction, these writers look through native eyes.
== Where the Real and the Surreal Meet ==
The Modern Real and Surreal: Writers and Artists on Our Age, is the Forbes Library’s author reading series. Now in its third season, the series explores contemporary themes on the premise that libraries offer vibrant spaces to engage with and explore our era’s most pressing questions – questions that in their surprises and contradictions can be understood through either a realistic lens or through fantasy, science fiction and the surreal. The series invites the community to join us in examining how story and art can provide empathy and insight in our accelerating world.
The series features writers in genres ranging from fiction to nonfiction to poetry. The role of the image in conveying literary themes will be explored, too, in events on comics & graphic novels, film and screenwriting, and nature word-and-image pairings. Current issues from our political and social milieu will also form an important backbone as these authors share from their fine work.
Native Americans called the place Wôpanâak, or “the land where the sun is born every day.” The colonists called it New England, or “the English Israel which is seated in these goings down of the Sun.” Where the sun comes up or where it goes down, or as far east as a native person could conceive or as far west as a European could imagine, the large cosmic view or the small human perception: Perspective is everything in telling history, especially stories about war.
As Jill Lepore argued in “The Name of War: King Philip’s War and the Origins of American Identity” (1998), even the choice of what to call the conflict was fraught, and not just because it was imposed by the English winners. “King Philip” was a title the government of Plymouth colony bestowed, partly in derision, on the Wampanoag sachem Metacom (though he sometimes used it for himself). To personalize the conflict with a presumed leader’s name ignores the complex politics among often rivalrous Algonquian-speaking peoples, and makes the war a matter of a single man’s grievances rather than a result of political oppression and economic dispossession. King Philip becomes a literary type, the tragic vanishing Indian, the man who—like Tecumseh or Crazy Horse—epitomizes a savage (or is it noble?) way of life doomed to be replaced by a civilized (or is it savage?) European modernity.
This mythic view of Philip took shape in histories crafted after the war by clergymen such as Increase Mather and by military commanders (and land speculators) such as Benjamin Church. And it more subtly entrenched itself through the one book by a participant in King Philip’s War still read today, the captivity narrative of Mary Rowlandson, a Puritan clergyman’s wife whose account of her ordeals Mather shepherded to publication. Rowlandson’s work made the war a divine drama in which native people figure primarily as a test of a colonist’s religious perseverance, and hence of the perseverance needed for a settler society to replace Native Americans. Mythic Philip becomes a small contributor to a larger saga.
OUR BELOVED KIN
By Lisa Brooks
Yale, 431 pages, $35
By Christine M. DeLucia
Yale, 469 pages, $40
Two new books explore a very different view of the Anglo-Indian struggle. Lisa Brooks, a prominent scholar who teaches at Amherst College, offers “Our Beloved Kin: A New History of King Philip’s War.” Christine DeLucia, once Ms. Brooks’s student at Harvard and now an assistant professor at Mount Holyoke, gives us “Memory Lands: King Philip’s War and the Place of Violence in the Northeast.” Each book eschews grand narratives of European conquest and indigenous disappearance in favor of approaches that emphasize intimate scales and native points of view. Each deeply researched volume intensely focuses on specific localities—Ms. Brooks calls them “place-worlds,” Ms. DeLucia “memoryscapes”—that the author has personally walked and rewalked, contemplating what happened and continues to happen there.
These are not spots outsiders—or even insiders—will necessarily find resonant. “Never heard of King Philip’s war,” a Rhode Islander told a late-19th-century journalist searching for the sight of one battle, “guess you’re mistaken about a battle ever having been fought in this neighborhood.” As this exchange quoted by Ms. DeLucia reveals, keeping one’s distracted eyes open for larger meanings when an enthralled author delves into small details can be a tall order.
A lecture with Lisa Brooks, author of “Our Beloved Kin” : A New History of King Phillips War.
7 pm Thursday, February 22, 2018 | Greenfield Community College, Stinchfield Lecture Hall
Note: 5pm book signing at World Eye Books in Greenfield, MA
Free and open to the public!
In Our Beloved Kin, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the “First Indian War” (later named King Philip’s War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England, reading the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history.