The Rock Dam on the Kwenitekw: an ancient, powerful place at twilight below Peskeompskut. Strong medicine here, persisting through it all – the spirits endure. 8manosek = a fishing place
Brattleboro Community TV (BCTV) has again archived the proceedings at the monthly Vermont Nuclear Decommissioning Citizens Advisory Panel (VT NDCAP) meeting held at Brattleboro Area Middle School (BAMS) on Oct. 26, 2017. At previous meetings, primary focus has been on the Docket #8880 Petitioners – Entergy and Northstar – along with state regulators; on this evening, several of the Intervenors had been asked to briefly present their interests to the Panel and public, and to answer questions if needed. The author, representing Elnu Abenaki with Nulhegan and Koasek, adds his remarks at 1:33:08, with other comments and questions 1:54:25 through 2:05:05.
Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. Some of the topics will include: The Indian Arts and Crafts Law of 1990; art informed by tradition and what it means to be a Native American artist in the 21st century; honoring the past through art, and how artists walk the Red Road recognizing our ancestors. The panel will include [Elnu Abenaki] S8gm8 (Chief) Roger Longtoe Sheehan and Willow Greene, moderated by Vera Longtoe Sheehan.
This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Find out more about the event and panel at http://brookslibraryvt.org or (802) 254-5290.
Wednesday, November 8 at 7 PM – 9 PM
Brooks Memorial Library
224 Main St, Brattleboro, Vermont 02645
Earlier this month, under a dozen feet of water and 28 inches of sand, Annette Spaulding found something she had sought for more than 30 years. It was the outline of an eagle wing. An unknown Native American had etched it into a rock slab on the West River an unknown number of centuries ago. The rock formed the river’s bank until 1909, when construction of a dam at Vernon, Vt., raised water levels on the Connecticut River and its tributary, the West River.
Along with lowlands and barns and houses, the rising water submerged at least three Native American petroglyph, or rock carving, sites near the confluence of the two rivers, according to Spaulding’s research.
The largest one is said to depict nine figures — five eagles, a person, what looks like a dog and two wavy lines with small heads, which Spaulding suspects are lampreys. It’s known as Indian Rock. A handful of 19th-century accounts and depictions reference the site, including a drawing by a 10-year-old boy from Chesterfield, Larkin Mead, who grew up to be a renowned sculptor. But then the river rose, and the location of Indian Rock became murky.
Read the full account in the Keene Sentinel by Paul Cuno-Booth of this recent development at Wantastegok. Photo by Michael Donovan.
Link to pdf below:
If NorthStar Group Services gets a chance to decommission Vermont Yankee, the company will have a hired cultural expert watching over its work.
In a nod to Native American concerns about the Vernon site’s historical importance, NorthStar CEO Scott State is committing to enlisting a consultant on matters such as archaeology, anthropology and history.
The costs of that expert, State pledged, “will not impact the Nuclear Decommissioning Trust or the Site Restoration Trust, and instead will be borne solely by NorthStar.”
Rich Holschuh, a Native American activist representing the Elnu Abenaki tribe in Vermont Yankee proceedings, applauded NorthStar’s commitment but expects to stay closely involved in decommissioning issues. “I see this as the first conversation in an ongoing dialogue,” Holschuh said.
The same Mike Faher story in the Brattleboro Reformer here.
And a version in The Commons here.