Photo from Brattleboro Historical Society: looking south on April 16, 1909, from a point on the abandoned road that climbs the bank from Chase’s Cascade on Venter’s Brook, below the “Cotton Mill”.
In this vintage photo, the Connecticut River is flooding the Hunt Farm (upper right) and Meadows, due to the construction of the Vernon Hydroelectric Dam, completed in 1909. On the far upper left you can see the ferry road (red arrow) that came down the bank on the Hinsdale (east) side of the river. The path is overgrown, but it is still there; as the leaves begin to fall you can find the trail and walk down to the now-abandoned Boston & Maine Railroad bed. The barn marked with the blue arrow still stands at the intersection of NH Rt. 119 and Old Brattleboro Road. The relocated Vernon Road (now VT Rt. 142) – moved to accommodate the rising water level – is obvious in the mid ground with its parallel guard rails.
The ferry mentioned here (red arrow again) has, of course, much older stories attached to it. It crossed the Kwenitekw to the site of Fort Dummer on the west bank (later, the Brooks farm) near where the short trees can barely be seen (green arrow) projecting from the floodwaters, just beyond the railroad’s telegraph poles (yellow arrow). Fort Dummer (built in 1724 and pre-dating the ferry by decades) was strategically built here because it was a traditional fording place for Abenaki travellers and later by the soldiers and first settlers – of course, that’s why the trails led to this point. Those foot paths later became the first colonial roads – thus Old Brattleboro Road (blue arrow again). The cemetery used by the Fort Dummer garrison and early settlers lies just east of this intersection on a knoll to the north side of the road. The current NH Rt. 119 from this point south to the NH State Liquor Store is a relatively recent replacement route (this is the point where the Old Brattleboro Road rejoins its new counterpart).
Elnu Abenaki Chief Roger Longtoe Sheehan and I have an appearance in this newly released documentary from the Connecticut River Conservancy. At 8:40 into the video, we share some indigenous perspectives on the essential role the Kwenitekw plays in the landscape of life here.
From Rev. Ezra Stiles’ travel diary, circa 1764, recounting a visit to the confluence of the Wantastekw/West River and Kwenitekw/Connecticut River. He traveled widely and recorded faithfully. This excerpt is from a trip up from his home base in Connecticut state, to scout what became the chartered town of Wilmington, VT. Note his references to particulars: There is no underbrush. White Ash trees 100 feet to the limbs and 4-5 feet in diameter at the base.
How did this happen? Indigenous people practiced a sophisticated permaculture. A nuanced, sustainable forest management regimen – working with water, fire, topography, seasonal changes, succession. This was and is not happenstance, circumstantial, or the divine gift of god. This is demonstrable evidence of reciprocal relationship in motion, the give and take of constant creation.
Note: Mark Bushnell is a Vermont journalist and historian. He is the author of “Hidden History of Vermont” and “It Happened in Vermont.” Mark called me for comments as he was putting this VTDigger column together.
When Rev. David McClure of Dartmouth College ventured down the Connecticut River to Bellows Falls in 1789, he was on a scientific mission. As a natural philosopher – what we might today call a scientist – McClure was interested in stone carvings he had heard about from a local man. The carvings, cut into an outcropping on the Vermont side of the river, depicted a series of faces.
“The figures have the appearance of great antiquity,” McClure wrote, noting that the British colonists who first settled the area a half-century earlier had observed them. The faces were life-sized images consisting of a simple oval with markings for eyes, nose, mouth and perhaps ears, McClure wrote. Some had lines sticking out of their heads that various observers have taken to be feathers, horns or rays.
McClure’s was apparently the first written account of the carved rocks, which have been described as the oldest pieces of art in Vermont. How old? Though experts agree the carvings were made by Native Americans, they are unwilling to ascribe a specific date, or even era, to the petroglyphs, which literally means “stone carvings.” They could be anywhere from 300 to 3,000 years old.
The written observations of McClure and subsequent visitors during the 19th and early 20th centuries are invaluable because they offer a snapshot of these artifacts, which have been changing over time. If descriptions of the petroglyphs have varied since McClure’s visit, so too have the interpretations of their meaning.
Read the full article in VTDigger here.
A well-crafted video project put together by two Brattleboro Union High School (BUHS) students – Forest Zabriskie and Mason Redfield – for a recent class assignment.
To gather varied perspectives on the utilization of the Connecticut River – specifically the circa 1909 Vernon dam at the Great Bend in Sokwakik – they interviewed Matthew Cole, Community Relations for Great River Hydro (dam owner and operator); Kathy Urffer, River Steward for the Connecticut River Conservancy; and yours truly, for an Abenaki cultural viewpoint.
There are many ways to be in the world…
Edward Augustus Kendall was a British traveller, translator, social campaigner and writer. He is best known to Americans as the author of a journal with the self-explanatory title of “Travels through the northern parts of the United States in 1807 and 1808, in 3 volumes” (New York, I. Riley, 1809). His name will come up elsewhere on this blog as a chronicler of the petroglyphs at “Indian Rock,” as he knew the carvings at the mouth of Wantastekw/West River, at Wantastegok/Brattleboro. That account is also found in the aforementioned travel journal; fyi, the references to Vermont instances of Native carving are all recounted in Volume 3.
Kendall recounts that he saw a pine tree in Weathersfield, VT with carvings on four different facets of the trunk. He may have made some leaps of logic in his explanations, but the observation itself stands as an example of memory marking in the landscape utilizing trees, similar to that of Quintin Stockwell’s account at Pocumtuk. We can discuss his interpretations of the individual figures that he witnessed in another post down the line. As Kendall’s book hasn’t been digitized to my knowledge, but it has been scanned, I post here screenshots of his narrative from the pertinent section:
Kendall’s historical attribution of the pine carvings may be a little off too, dating it to the 1704 Deerfield raid. But that’s not something we need to disparage right now. Suffice it to note that his record is another example of awighigan encoded in landscape features.