A podcast exploring the status of Abenaki Native Americans in Vermont and a video that uses Legos to explain the Iowa caucus, and breaking news coverage of the Northeast Kingdom EB-5 scandal have won Vermont Public Radio three national journalism awards for its work in 2016.
Best News Documentary: “What is the status of the Abenaki Native Americans in Vermont today?”
Each month, the podcast Brave Little State answers a question submitted by a listener and voted on by the community. The winning piece took on the question question: “What is the status of the Abenaki Native Americans in Vermont today?”.
Angela Evancie, the podcast’s host and creator, says the show’s people-powered model, which was pioneered by WBEZ’s Curious City, has opened up a radical new way of reporting.
“In the case of this story about Vermont’s Abenaki, a seemingly simple question prompted complicated conversations about how the native community sees — and doesn’t see — itself in contemporary Vermont,” Evancie said. “I was so grateful to the Abenaki leaders who opened up their homes and tribal headquarters to me, and trusted me to share a small part of their story.”
See the full report here.
A great piece on NPR yesterday (June 30, 2017) with a nearly hour-long audio track about early trail systems and their multi-levels of significance. Listen here.
“Long before our modern highways, there was an extensive network of Native American trails up and down the East Coast. This hour, we hear about efforts to map these old trails and find out how they’re helping archaeologists and others learn about the past.
We begin our conversation in former Cherokee country to find out why a North Carolina man and an archaeologist are mapping hundreds of miles of old Cherokee trails. Then we head back to Connecticut’s woods where many Native American tribes used trails to link villages — spurring on trade and facilitating war.”
One woman discovered the power of community radio in 2009, when the indigenous people of Vermont were still not recognized at a state level. Some tribes of the Abenaki nation, the people native to the region now known as Vermont, achieved state recognition as late as 2012, according to the state website.
Deb Reger, host of Moccasin Tracks on 90.1 WRUV, felt conversations about these people were held exclusively at state and professional levels. “As a non-native person, I felt like I needed to know the truth,” she said. “I wanted to hear the truth from the people themselves, not be told by privileged white people.”
Reger created Moccasin Tracks to voice the stories and perspectives of Native Americans.
Read the article by Maddy Pimental about Deb and the Show in UVM’s Vermont Cynic online paper.
For his exhibition, Tim Brookes carved phrases into indigenous wood using disappearing or endangered alphabets from across the globe. Pictured, in Abenaki, the phrase, ‘Language of the grandfathers who went before’ is carved into a plank of walnut. Photo from VPR.
Six years ago, writer and Champlain College professor Tim Brookes carved letters into wooden planks to give to family as holiday gifts. The presents were well received and Brookes enjoyed his new hobby. He added new and different alphabet letters and languages to his hand-carved signs. Then, by chance, Brookes learned just how many of the globe’s writing systems were disappearing and a project was born: The Endangered Alphabets Project.
Brookes talked with VPR about the Endangered Alphabets Project exhibition, up now at Champlain College through March 10. The thirteen carvings each bear the phrase, “Mother Tongue,” written in Abenaki, Balinese, Mandean, Inuktitut and several other cultures whose written word is disappearing.
Full article and podcast at VPR.
This is Part 2 of a two-part story, within the podcast series from Brattleboro Historical Society, produced by Joe Rivers and his BAMS history students. You can check out Part 1 here. It gives additional background to the subsuming of critical areas in Sokwakik, and particularly the flooding of the Retreat Meadows, by the completion of the Vernon, Vermont hydroelectric dam in 1909. Prior to this date, the now-flooded meadows – known as mskodak in Aln8baiwi – were prime farmland for the Sokwakiak who dwelt here, and subsequently the European settlers that arrived in the mid-1700’s. There are multiple newspaper reports of native burials being exhumed within this alluvial bowl, just west of the mouth of the Wantastekw (I will be documenting them here over time). Sokoki Abenaki heritage and interests were ignored and ravaged, a situation which remains ongoing and challenging.
The latest podcast from Brattleboro Historical Society, with Joe Rivers and his BAMS history students. It gives some good background to the subsuming of critical areas in Sokwakik, and the mid-Kwanitekw valley in general, by the construction of the Vernon, Vermont hydroelectric dam early in the last century. Many acres of riverside land were condemned to be flooded in the name of progress, the first project of its kind in the region, with many more to follow. This was a for-profit venture by a group of both local and regional businessmen, to generate power for distant markets at the expense of everything else. Sokoki Abenaki heritage and interests, being a riverine-centric culture, were ignored and ravaged, a situation which remains ongoing and challenging. The resulting impoundment was later accessed and the land further degraded by the construction of the Vermont Yankee nuclear plant immediately upstream of the dam itself.
More background toward understanding the story behind “How did we all end up in this situation?” – as I often repeat, it’s all connected.
Thank you to Joe Rivers and Reggie Martell at the Brattleboro Historical Society, for your interest, commitment, and technical skills, in putting this together. It is an honor to work with you toward restoration for the indigenous people, the Abenaki and their ancestors, to their rightful and relevant place. In Aln8ba8dwaw8gan: Askwa n’daoldibna iodali – we are still here.
I appreciate this photo (by Reggie), with our guardian mountain Wantastiquet behind and the provincial flag of Quebec on my shirt, repping for my grandfather, both aspects of the motivation behind this journey of understanding.