See the Facebook Event page here.
See the Facebook Event page here.
From The Vermont Phoenix (Brattleboro, VT) July 7, 1876, an excerpt of the Centennial Address given by the Hon. Charles K. Field.
The final sentence of the paragraph above, following the previous observations, demonstrates the willful, almost ludicrous, elision of Native presence by descendants of the colonizers. The very same paragraph affirms the evidence of long-term indigenous occupation and specific resource-management practices.
Earlier this month, under a dozen feet of water and 28 inches of sand, Annette Spaulding found something she had sought for more than 30 years. It was the outline of an eagle wing. An unknown Native American had etched it into a rock slab on the West River an unknown number of centuries ago. The rock formed the river’s bank until 1909, when construction of a dam at Vernon, Vt., raised water levels on the Connecticut River and its tributary, the West River.
Along with lowlands and barns and houses, the rising water submerged at least three Native American petroglyph, or rock carving, sites near the confluence of the two rivers, according to Spaulding’s research.
The largest one is said to depict nine figures — five eagles, a person, what looks like a dog and two wavy lines with small heads, which Spaulding suspects are lampreys. It’s known as Indian Rock. A handful of 19th-century accounts and depictions reference the site, including a drawing by a 10-year-old boy from Chesterfield, Larkin Mead, who grew up to be a renowned sculptor. But then the river rose, and the location of Indian Rock became murky.
Read the full account in the Keene Sentinel by Paul Cuno-Booth of this recent development at Wantastegok. Photo by Michael Donovan.
Eva McKend of Burlington’s WCAX Channel 3 News spoke with Vermont State Archaeologist Jess Robinson about the significance of petroglyph sites in Vermont, and specifically the fledgling effort to conserve those at Wantestegok – the West River in Brattleboro. Click on the first link for the video interview.
A group has hopes of purchasing land near petroglyphs under the Connecticut River (correction: Wantastekw/West River) with the goal of preventing future development on land it sees as culturally meaningful.
“This is all part of the Abenaki people trying to re-establish themselves… to raise awareness and reinforce the idea that these are not relics of the past,” said Rich Holschuh, a member of the Vermont Commission on Native American Affairs from Brattleboro.
“These are significant to people who are still here… people who still observe their significance and incorporate that into their lives because they are the descendants of these people.”
Abenaki people and other members of the public hope to preserve the land, keeping it open for hiking and other recreational activities. The project is also about protecting the Hogle Wildlife Sanctuary.
48 Hour Auction! Ends Saturday March 4 at 9 pm ET. Winner gets both canvases!
Title: Serpents and Thunderbirds
By Isaac Murdoch and myself.
Two canvases make up this piece, each canvas is 12″ x 16″. Acrylic on Canvas.
Isaac’s painting of the serpent tells a tale of long ago. My painting is of the Thunderbird as it governs the night skies. The Serpent and Thunderbird keep the world in balance.
An insightful juxtapostion to keep in mind, relative to the West River…