A very significant cultural component: ritual adornment, mortuary practice, healing properties, ornamentation… the importance of red ochre to the Abenaki, and to many indigenous cultures, cannot be overemphasized. The word in Aln8baiwi is olamanjagw, red ochre mud; when mixed with grease, it is simply olaman. In Anishinaabemowin, the word is very similar: onaman. Ochre is derived from natural iron oxide compounds, in mineral deposits, clay, or iron seeps , where iron oxidizing bacteria augment the chemical conversion.
Publication of Royal Society of Canada, 1885.
Local people sought nearby sources of this valuable material; if they were not fortunate in this respect, they were obliged to trade for it. Here in Sokwakik there is an abundance of iron in the local geology. An iron seep just north of Wantastegok yields an abundant flow of ferrous oxide mud, carried with the groundwater through a mineral-rich ledge of Waits River schist and emerging on the east face. In the summer, the iron-oxidizing bacteria colonies form amazing cellular structures. In the winter, these lose their shape and form a hard, crumbly crust. The pigmented mud accumulates in the crevices of the rock and can be collected simply, with a little careful examination of the best pockets.
The seep in summer.
The seep in winter
By collecting this dark red-brown mud, heating (oxidizing) ’til it reached its maximum color (too much heat will result in a darker, browner hue), and then sifting it, I was able to produce a nice amount of orange/dark red/brown pigment on an initial trial. This could be further pulverized with a mortar and pestle, before mixing with a grease or oil and used for painting the body, or another use.
More to come…
From Rev. Ezra Stiles’ travel diary, circa 1764, recounting a visit to the confluence of the Wantastekw/West River and Kwenitekw/Connecticut River. He traveled widely and recorded faithfully. This excerpt is from a trip up from his home base in Connecticut state, to scout what became the chartered town of Wilmington, VT. Note his references to particulars: There is no underbrush. White Ash trees 100 feet to the limbs and 4-5 feet in diameter at the base.
How did this happen? Indigenous people practiced a sophisticated permaculture. A nuanced, sustainable forest management regimen – working with water, fire, topography, seasonal changes, succession. This was and is not happenstance, circumstantial, or the divine gift of god. This is demonstrable evidence of reciprocal relationship in motion, the give and take of constant creation.
Note: Mark Bushnell is a Vermont journalist and historian. He is the author of “Hidden History of Vermont” and “It Happened in Vermont.” Mark called me for comments as he was putting this VTDigger column together.
When Rev. David McClure of Dartmouth College ventured down the Connecticut River to Bellows Falls in 1789, he was on a scientific mission. As a natural philosopher – what we might today call a scientist – McClure was interested in stone carvings he had heard about from a local man. The carvings, cut into an outcropping on the Vermont side of the river, depicted a series of faces.
“The figures have the appearance of great antiquity,” McClure wrote, noting that the British colonists who first settled the area a half-century earlier had observed them. The faces were life-sized images consisting of a simple oval with markings for eyes, nose, mouth and perhaps ears, McClure wrote. Some had lines sticking out of their heads that various observers have taken to be feathers, horns or rays.
McClure’s was apparently the first written account of the carved rocks, which have been described as the oldest pieces of art in Vermont. How old? Though experts agree the carvings were made by Native Americans, they are unwilling to ascribe a specific date, or even era, to the petroglyphs, which literally means “stone carvings.” They could be anywhere from 300 to 3,000 years old.
The written observations of McClure and subsequent visitors during the 19th and early 20th centuries are invaluable because they offer a snapshot of these artifacts, which have been changing over time. If descriptions of the petroglyphs have varied since McClure’s visit, so too have the interpretations of their meaning.
Read the full article in VTDigger here.
Sketch of “Indian Rock” at the mouth of the West River, by a young Larkin Mead, later a nationally-known sculptor.
The Brattleboro Historical Society has begun submitting a regular feature to the local Brattleboro Reformer daily. This week’s column takes a look at the misrepresentation of established Native presence in the state’s long-mythologized history books, and offers some corrections of perspective into the present. I was able to help contribute to this welcome piece by the Society.
Full article here, excerpt below:
In 1828 the Brattleboro publishing company of Holbrook and Fessenden produced “A History of Vermont: From Its First Settlement to the Present Time.” It was the first known Vermont History book used in Brattleboro schools.
When writing about the “native inhabitants,” author Francis Eastman wrote, “not a vestige of them now remains – gradually the encroachments of the whites have pushed them farther and farther on” to the west and north of the United States and Canada.
In many early histories of Vermont, Native Americans were hardly mentioned. A Vermont school book used from 1890 to 1925 starts this way, “Very few Indians lived in Vermont when white men first came here, though hunting parties and war parties often passed through, and sometimes a party would camp all summer in a good place.” You can see that early history books did not give Native Americans much claim to Vermont…
From The Vermont Phoenix (Brattleboro, VT) July 7, 1876, an excerpt of the Centennial Address given by the Hon. Charles K. Field.
The final sentence of the paragraph above, following the previous observations, demonstrates the willful, almost ludicrous, elision of Native presence by descendants of the colonizers. The very same paragraph affirms the evidence of long-term indigenous occupation and specific resource-management practices.
Things show themselves. Do you see?
Eva McKend of Burlington’s WCAX Channel 3 News spoke with Vermont State Archaeologist Jess Robinson about the significance of petroglyph sites in Vermont, and specifically the fledgling effort to conserve those at Wantestegok – the West River in Brattleboro. Click on the first link for the video interview.
Online article for this posting.