VT Legislature: Two Abenaki Community Bills Progress, Others Stymied

brian cina news conference

In a year when the pandemic has kept lawmakers scrambling, some bills addressing indigenous issues in the state have gained traction, while others have been pushed aside for now.

Legislators, tribal leaders, and the State Commission on Native American Affairs have been working together on legislation important to the state’s four recognized tribes, which gained recognition in 2011 and 2012. Since then, the state has also passed a bill to have Indigenous People’s Day replace Columbus Day, as urged by Rep. Brian Cina, P-Burlington. But Cina says the state still has work to do. Chiefs from Vermont’s Abenaki tribes agree.

“There has been an acknowledgement from the Legislature that Vermont needs to do more for the Abenaki community in light of the history of colonization and eugenics that has occurred in this land,” Cina said.

Continued> Read the full article by Amanda Gokee in VTDigger.

School of Abenaki Pilots First Summer Remotely

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In its first summer as part of Middlebury’s summer Language Schools, the School of Abenaki engaged 23 students in a two-week pilot program on Abenaki language and culture. Jesse Bowman Bruchac, a citizen of the Nulhegan Abenaki Tribe, led Middlebury’s first Native American language program. The school allowed all of its students to attend this year free of charge, something Bruchac noted as a demonstration of the college’s support of efforts to preserve indigenous culture and language in the area.

Like all of Middlebury’s Language Schools this summer, the program was conducted remotely.

“Being online helped to bring people together,” said Bruchac, who has spent his career traveling across New England and the country to teach. Bruchac has nearly 30 years of experience teaching the Abenaki language and working to preserve its culture… (continued)

Read the full article by Catherine McLaughlin in The Middlebury Campus digital paper.

 

Obomsawin: The Myth of Native American Extinction Harms Everyone

Cluelessness about Native people is rampant in New England, which romanticizes its Colonial heritage.

This article by Mali Obomsawin (shared below in its entirety; link here to the online version) appeared in The Boston Globe Septmeber 15, 2020. Her comments at publishing: “Since the Globe published an article a few months back claiming that the Wabanaki are extinct, I bullied them into publishing an article I wrote about the erasure of northeastern Natives 😉 You can read it here. I’ll just say that white fragility has too much influence over the editing process, but I did what I could to say what I must.”

In college, I attended a rally my friend organized to discuss the constitutionality of flag burning. Predictably, his newspaper op-ed provoked a group of militantly patriotic New Hampshire locals to attend, in defense of the American flag. During the tense gathering, I began chatting with one of the flag defenders, pointing out that the flag doesn’t represent all Americans or make everyone — for example, Native Americans — feel safe.

To which he responded, “Come on, you can’t go back that far, and there aren’t even any Indians left!”

Unique among ethnic groups in the United States, Native people are told constantly, in myriad ways, that we are extinct, when tens of thousands of us live in this region alone. Public cluelessness about Native people is rampant, especially in quaint, rustic New England, which romanticizes its Colonial heritage from Plymouth Rock to its charming “Colonial” bed and breakfasts. But being told to your face that you don’t exist never gets any less weird.

I’m a citizen of the Abenaki First Nation at Odanak, part of the larger Wabanaki community in what has been designated as the northeastern United States and southeastern Canada. The borders declared in the Colonial era fragmented Wabanaki homelands of the Abenaki, Penobscot, Passamaquoddy, Mi’kmaq, and Maliseet nations. To us, our loose borders are marked by major waterways: the Saint Lawrence River (Ktsitekw) to the north, the Hudson River (Muhhekunnutuck) and Lake Champlain (Betobakw) to the west, and the Atlantic Ocean (Sobagw) to the east.

Thanks to the Black Lives Matter movement, the balloon of blissful ignorance encompassing white racism has been popped, at least for now. Native people have also benefited from the racial awakening that many white people are experiencing, as monuments as well as mascots and team names with racial slurs are being challenged.

Native Americans face deep-seated discrimination in this country. Beginning over 500 years ago, the settler-Colonial attempts at ethnic cleansing have incorporated tactics of systematic land theft, environmental racism, and revisionist history. Today, it’s convenient to believe that Native people are extinct, because it distances white Americans from the legacy they inherit from early settlers — who committed atrocities specifically and uniquely so white people could live and prosper here today — regardless of when your family arrived.

Erasure is the art of collective forgetting, and one of the most effective tools of racism. Crucially, it absolves the United States from addressing injustices festering at its foundation — and the fact that Native people are still here resisting. Erasure nurtures ignorance through systemic miseducation, stereotyped iconography, and popular culture. Because, like the patriot at the rally, it’s much easier to say the flag represents all Americans if “all” selectively excludes the oppressed.

The version of history that many of us learned in school perpetuates the myth of Native extinction: that after several wars, treaties, and diseases, the Indians died off. Disputed land went to the victors, locking Native people into their chapter of natural history, like dinosaurs or dodos. A neatly bookended Native existence.

What do we really know about the land we occupy and our Native neighbors today? How has “collective forgetting” become integral to American culture?

Ojibwe scholar Jean O’Brien’s book on Northeastern Native invisibility, Firsting and Lastingpoints to New England’s unique historiography. One of the earliest targets of English and French conquest, the region was a testing ground for settler colonialism. By the mid-1600s, self-appointed amateur historians were curating a national origin story that required tales of Native people being conquered to characterize the burgeoning society. They sought to define New England as “the cradle of the nation and seat of cultural power.”

Constructing timelines of the “first” and “last real Indians,” writers simultaneously conveyed the unquestionable modernity of white people and projected that the Native race would soon “vanish” from this land. The national mythos they cultivated became embedded in the tradition of US history writing and teaching, and still deeply affects how Native people are perceived (or not perceived) in New England today.

As a Wabanaki person educated in Maine public schools, I “learned” of my own extinction in these terms from my white history teachers. In middle school, I learned of “Pierpole,” the “last” Abenaki s my teacher described him f Farmington, Maine, who lived in the late 1700s and sold his land to white people. A state law passed in 2001 required Maine public schools to teach Native American history, but my Advanced Placement US History teacher didn’t even cover the names of the Wabanaki nations, whose land the school occupies.

Without incentive to glorify settler-colonialism, scholars unearth less-censored histories. They identify settlers who “cleared” Wabanaki land through organized violence, biological warfare, Western agricultural practices, and coerced treaties. Some settlers attacked Wabanaki cultures and lifeways through Christianizing missions—Harvard and Dartmouth are two that would go on to become elite American universities. These scholars find contempt for Native humanity at the core of American identity. Without it, the United States could not exist.

Colonial settlers posturing as historians wrote legends for future white generations to be proud of. Why should their descendants monumentalize Hannah Duston, who scalped six Abenaki children and four adults in 1697? Or Christopher Columbus? It suggests that real American patriots did the heroic work of clearing a space for white people, and excuses the genocide it entailed.

The house of cards that is American patriotism rests upon collective amnesia and the advancement of historical myths — because ignorance protects us from shame, and denial bars us from problem-solving. Today, as monuments topple and assumptions about this country falter, many people are more closely examining their biases, finding they’ve been shielded from history by white supremacy in education, government, and historiography.

Time will never cure foundational injustices. Nor will monuments — although questioning them is necessary for telling honest histories. While we work to perceive our neighbors living in different realities than us, and become critical of systemic power, we must understand that allyship is a lifelong re-education. We must investigate the assumptions on which our realities are based, and our own occupation of this land. Ultimately, in a nation built upon racism, erasure, and land theft, we must pursue their antitheses: anti-racismIndigenous knowledge and leadership, and returning land to Native peoples.

_________________

Mali Obomsawin is a citizen of the Abenaki First Nation at Odanak and contributor to Smithsonian Folklife Magazine. Send comments to magazine@globe.com.

Nick Estes on Trauma Politics

nick estes twitter thread

I found the following Twitter thread to be highly informative and ever-timely.

Nick Estes’ profile (@nickwestes) states: Oceti Sakowin. Kul Wicasa. Lakol Wicoun. The original Red Scare. Merciless Indian humor. @The_Red_Nation Podcast. Book: Our History is the Future.

“I can’t speak on whites pretending to be Black in the academy. But I see similarities with how whites have adopted a Native identity in the academy. Yes, there’s a question of resources. What’s not often spoke about is the politics of injury tied to these make-believe identities.

The cunning of trauma politics is that it turns actual people and struggles, whether racial or Indigenous citizenship and belonging, into matters of injury. It defines an entire people mostly on their trauma and not by their aspirations or sheer humanity.

Who’s the audience for the politics of injury? It certainly isn’t for those who are marginalized. Mostly it’s for white audiences or institutions of power. It’s non-threatening to be a traumatized person, especially when those dishing out the trauma become those who solve it.

Most Indigenous people I know became politicized through their collective historical experience from colonization. But being Indigenous isn’t solely a source of trauma. Thought of as nations with aspirations for freedom, the struggle itself through an identity can be liberatory.

We have seen the horizon of Indigenous struggle shift. Once it was beyond the settler state. Now it is seeking recognition and remuneration from the settler state for the injuries it has caused. @bloodizcurrency explains this in her book Therapeutic Nations. Read it!

Two examples: Elizabeth Warren’s narration of her fake Cherokee identity is based on a sense of perceived discrimination in her family. Andrea Smith creates an entire field based on locating and defining Indigenous trauma, which was based on her fake Cherokee identity.

I’m always cautious of trauma narratives. Indigeneity is more than just genocide. It’s a world-making politics for just relations. And the most dangerous elements — decolonization through land back and class struggle — tend to be neutralized within academic spaces.

The best way to combat this liberal tendency is by building and foregrounding actual politics that call for the material transformation of the world. No more crying on the shoulder of the man who stole your land or putting star blankets and headdresses on colonizers.

Identity plays a role, for sure. Class is about power. And Indigenous people often experience their class position through their Indigeneity and through the power dynamics of the colonial relation. But being Indigenous doesn’t automatically equal “good” politics.

What we are experiencing is less identity politics and more a politics of injury, or that an identity is based on injury. We can’t just be human beings, we have to have some kind of “plight,” as V. Deloria once put it. It’s not to reject identity but to reject dehumanization.

Mount Grace Land Conservation Trust at Wantastegok

radder wantastegok retreat farm mount grace

“The Elnu Abenaki Tribe have partnered with Mount Grace since the early planning of the Gunnery Sergeant Jeff Ames Wheelchair Accessible Trail, which now guides visitors through a series of interpretive signs emphasizing the Abenaki’s continued connection to the lands that make up Squakheag/Northfield.

Elnu representatives worked with Mount Grace, and with the Wampanoag Aquinnah and Narragansett Nations, to describe the cultural importance of the Alderbrook Meadows site and helped design the educational signs for the trail.

This August, Mount Grace was invited to Vermont by the Elnu to witness the reclamation of Wantastegok–”at the river where something is lost”–the original name of the confluence of the West River with the Connecticut in Brattleboro.”

Read the full article in the 9/8/20 Mount Grace newsletter.

 

Lost Nation on VPR’s Brave Little State

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I enjoyed talking recently with Nina Keck about Vermont’s fascination with “Lost Nations”, on this latest episode of Vermont Public Radio’s Brave Little State podcast series. My contribution at about 22:00.

Linked here.

 

 

Our Basin of Relations Is Here and Now

our basin of relations book cover

It’s published at last! Support the labor of love and purchase a copy?

From the description at the listing on Amazon:”Water does not lie. Here in the Champlain Basin—a flowing landscape of mountains and rivers, forests and farms, towns and cities—it is the water that whispers difficult truths. From erosion, pollution, and habitat loss, to the toxic algae blooms that close Champlain’s beaches every summer, this once vital ecosystem is coming undone. And while there is no shortage of proposed technical and legislative solutions, it is clear that we also need distinct cultural responses to the problem—ways to see, hear, feel, and understand what the water is telling us. That is where this book comes in. Featuring the fine art photography of M.E. Sipe, the curating vision of Trevien Stanger, and over a dozen essays written by thinkers, academics, poets, farmers, and activists who call this region home, Our Basin of Relations presents new ways of thinking and old ways to remember, helping us chart a more honest path forward toward preservation and renewal. With open hearts, wild minds, and attentive bodies, these essayists deepen our insights and advance our sense of the possible for all of the beings, and for all of our relations, that constitute our home: this beautiful place, the Champlain Basin.”

My essay in contribution to this beautiful book is shared here.

Indigeneity: A Confluence of Relationship

kwenitekw-prospect-wantastegok-may-2016

This essay was published in Our Basin of Relations: The Art and Science of Living with Wateredited and illustrated by M. E. Sipe and Trevien Stanger. I was honored to be asked by Trevien to contribute a couple years ago, and this gorgeous and thoughtful book was happily published at last in August, 2020.

*****

Confluence signifies “a flowing together.” In a literal sense, it is about rivers. But it’s often used to talk about the coming together of ideas or cultures as well. Swirls, eddies, currents, cycles, transitions–– meeting, mixing, melting, morphing. The definition of liquidity. Everything changes, yet nothing changes. Heraclitus said that one can never step in the same river twice. Perhaps the message is not that we are unable to encounter consistently an entity in flux, but something far more subtle and profound: it is that some things maintain their identity only by changing.

A river is a river because it is flowing and shifting. Here constancy and change are not mutually exclusive but rather intimately connected in a dance. Rather than thinking in terms of opposites, we can embrace their balance. Once we find ourselves suspended in that place of harmony and equivalence, not focusing on differences, time slows and stops. Or perhaps time expands – into deep time, so deep that it is complete. Past, present, and future all coalesce and we are in the midst.

On seeing differently: The boundaries and labels we encounter on our modern-day maps are relatively recent political and historical constructs springing from the Western worldview. It can be difficult to view the land clearly with this tangled overlay of demarcations, polities, and hierarchies. If one can see beyond the arbitrary notions that this is Vermont, that is New York, and beyond is Quebec, for example, and begin to think in terms of watersheds, and in terms of thousands of years, then the true face of the country begins to appear.

This is the Dawnland: ndakinna, the home of the Abenaki, the W8banakiak–the land from before, a land that begins anew each day, a land that persists. The same water that flows here now has coursed down the river valleys for thousands of years, to the lakes and oceans and back again, in towering clouds with crashing thunder and twisting, silvery rivulets wending down the mountainsides to return to the welcoming valley below.

Among the northeastern Algonquian indigenous territorialities, the W8banakiak have been described as a riverine people. The various bands’ homelands are centered on watersheds – a river and its dependent streams, lakes, marshes, and floodplains.  Whereas other tribes might bound their lands in terms of primarily terrestrial landmarks such as mountains, deserts, or plateaus, denoting borders within which they circulated, the Abenaki centered themselves within the gathering waters, ranging out through a branching, interwoven net of connections. A family’s traditional hunting territories, above the agricultural plantings flourishing upon the floodplains and river terraces (the wolhanak), are bounded by these tributary sinews, stretching up into the hills and mountains to the next ridge top. Reflecting this, a member of a given Abenaki family band will describe their respective homeland as n’sibo, my river – whether the Winooski, Missisquoi, or Connecticut – allying with that flowing, veined world as a part of their own identity, in union, all the same. Intimately familiar with the landscape and its fellow dwellers – both animate and inanimate – an indigenous person is a continuous part of the spirits there, with roles to play and responsibilities to honor, and, in a word, inseparable.

An example emerges from Aln8ba8dwaw8gan, the Western Abenaki language, since language is one of the tools a culture uses to tell its story. It embodies a shared understanding of the world, and its nuances demonstrate a way of being in it. An Abenaki speaker, when queried as to their home, will answer (for example) with the phrase, “N’dai Winoskik,” meaning not merely that they live in Winooski, but rather, that they are that place, one and the same. It can be said that the Abenaki, in common with many other Native people, speak primarily in verbs; everything is seen in dynamic relation to everything else… who, how, where, with, and when.

Indigeneity does not simply denote a group of people. It is always in reference to the people of a place. The two are entwined. They define each other. they belong, in every sense of the word. It signifies a relationship so profound that it cannot be separated: the people are the land and the land is the people, a single entity. From this understanding, one can begin to sense the depth of the damage that is done to an indigenous people when they are separated from their homelands. This loss is irreparable, and the trauma becomes systemic, passed down through generations. To enforce this separation, as our nation’s history has so graphically inscribed, is to assault the meaning of life itself, leaving it broken and futile. Healing can be found only in a restoration of relationship, a re-balancing through reciprocity among the community of beings. The prefix “re-” occurs in all of these words, meaning “again,” and it speaks of cycles and constancy.

We are all familiar with the phrase “good medicine.” Medicine, in a Native sense, refers not simply to a decoction or compound intended to counter an ailment. Medicine is anything which promotes vitality, indeed, life itself: healthy food, drink, honorable conduct, respect, productive activity, ceremony, and rest – they all affirm the maintenance of a properly functioning relationship, both within and without. The Abenaki word for medicine is nebizon; at the root of it is the word nebi, which means water. Water is life. May we honor that, and each other, in this place.

Vermont Humanities Fall Conference 20/20: Democracy, Social Change, and Representation in Nd’akinna

This video is part of Vermont Humanities’ “Democracy 20/20” digital Fall Conference.

The panel was led by Vera Longtoe Sheehan, the director of the Vermont Abenaki Artists Association, and features Abenaki leaders, mentors, and community members. From upper left, clockwise: Sherry Gould (Nulhegan), Brian Chenevert (Nulhegan), Vera Longtoe Sheehan (Elnu), Jim Taylor (Elnu).

Beginning with a greeting and historic overview of democracy in Nd’akinna (Western Abenaki for Our Land), this panel of Abenaki voices considers the threads of place, home, belonging, and representation in a time of great social change.

Reclaiming the Abenaki Placename Wantastegok at Retreat Farm

The Brattleboro Words Project commissioned this appealing, succinct video by filmmaker Donna Blackney, as part of its NEH-funded documentation of the intersection of people, places ,and words in this region. The event was well-attended and well-received, and signals the beginning of an inclusive and mindful collaboration between the Elnu Abenaki, other members of the Native community, and Retreat Farm, in Wantastegok/Brattleboro.

This video will be shared several times through programming at Brattleboro Community Television (listing here).