Things show themselves. Do you see?
With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the “First Indian War” (later named King Philip’s War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England, reading the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history.
Listen to a NEXT interview by John Dankosky on WNPR with author Professor Lisa Brooks about her compelling new work “Our Beloved Kin” (scroll halfway down).
The view downstream (SSW) from a southerly ridge of Wantastegok Wajo – one can clearly see the site of Fort Dummer, now submerged. Old accounts state that the mountain was the “Indian’s Great Chair, ” from which the comings and goings could be closely watched at a great distance.
Earlier this month, under a dozen feet of water and 28 inches of sand, Annette Spaulding found something she had sought for more than 30 years. It was the outline of an eagle wing. An unknown Native American had etched it into a rock slab on the West River an unknown number of centuries ago. The rock formed the river’s bank until 1909, when construction of a dam at Vernon, Vt., raised water levels on the Connecticut River and its tributary, the West River.
Along with lowlands and barns and houses, the rising water submerged at least three Native American petroglyph, or rock carving, sites near the confluence of the two rivers, according to Spaulding’s research.
The largest one is said to depict nine figures — five eagles, a person, what looks like a dog and two wavy lines with small heads, which Spaulding suspects are lampreys. It’s known as Indian Rock. A handful of 19th-century accounts and depictions reference the site, including a drawing by a 10-year-old boy from Chesterfield, Larkin Mead, who grew up to be a renowned sculptor. But then the river rose, and the location of Indian Rock became murky.
Read the full account in the Keene Sentinel by Paul Cuno-Booth of this recent development at Wantastegok. Photo by Michael Donovan.
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