Brattleboro Community TV (BCTV) has again archived the proceedings at the monthly Vermont Nuclear Decommissioning Citizens Advisory Panel (VT NDCAP) meeting held at Brattleboro Area Middle School (BAMS) on Oct. 26, 2017. At previous meetings, primary focus has been on the Docket #8880 Petitioners – Entergy and Northstar – along with state regulators; on this evening, several of the Intervenors had been asked to briefly present their interests to the Panel and public, and to answer questions if needed. The author, representing Elnu Abenaki with Nulhegan and Koasek, adds his remarks at 1:33:08, with other comments and questions 1:54:25 through 2:05:05.
Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. Some of the topics will include: The Indian Arts and Crafts Law of 1990; art informed by tradition and what it means to be a Native American artist in the 21st century; honoring the past through art, and how artists walk the Red Road recognizing our ancestors. The panel will include [Elnu Abenaki] S8gm8 (Chief) Roger Longtoe Sheehan and Willow Greene, moderated by Vera Longtoe Sheehan.
This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Find out more about the event and panel at http://brookslibraryvt.org or (802) 254-5290.
Wednesday, November 8 at 7 PM – 9 PM
Brooks Memorial Library
224 Main St, Brattleboro, Vermont 02645
Earlier this month, under a dozen feet of water and 28 inches of sand, Annette Spaulding found something she had sought for more than 30 years. It was the outline of an eagle wing. An unknown Native American had etched it into a rock slab on the West River an unknown number of centuries ago. The rock formed the river’s bank until 1909, when construction of a dam at Vernon, Vt., raised water levels on the Connecticut River and its tributary, the West River.
Along with lowlands and barns and houses, the rising water submerged at least three Native American petroglyph, or rock carving, sites near the confluence of the two rivers, according to Spaulding’s research.
The largest one is said to depict nine figures — five eagles, a person, what looks like a dog and two wavy lines with small heads, which Spaulding suspects are lampreys. It’s known as Indian Rock. A handful of 19th-century accounts and depictions reference the site, including a drawing by a 10-year-old boy from Chesterfield, Larkin Mead, who grew up to be a renowned sculptor. But then the river rose, and the location of Indian Rock became murky.
Read the full account in the Keene Sentinel by Paul Cuno-Booth of this recent development at Wantastegok. Photo by Michael Donovan.
Link to pdf below:
Still image – see video link at end of summation
Robert McBride’s Everyday People video series on FACT – Falls Area Community TV – featured a recent episode with personnel from VTrans and the VT Dept. of Historic Preservation, along with guests who had an interest in the proceedings. The crew was in town to document and map the Vilas Bridge and the ancient petroglyph site at Kchi Pontekw on the Kwenitekw, using newly acquired LiDAR equipment. A non-intrusive technology, LiDAR uses a rapid, rotating laser sending and receiving unit to record a highly detailed 3D image of terrain, objects, and surfaces. This record can then be used for reference and analysis. With the possibility of a future repair or removal of the deteriorating Vilas Bridge (owned by the state of New Hampshire, and now closed), it is important to record the current situation so that proper care can be taken as plans may be developed. For indigenous people, respectful protection of the sacred ancestral rock carvings above the falls are of special concern. Several people were in attendance to oversee the work on September 22, 2017; the Brattleboro Reformer covered the story that day as well.