I was invited by Green Mountain Mornings host Olga Peters to join her for the show on Monday, Oct. 8, 2018, for a discussion of Indigenous Peoples’ Day. We had an enjoyable 20-minute conversation about the who, what, why, where, and “now what” aspects of this symbolic yet significant change of observance from Columbus Day to Indigenous Peoples’ Day. A link to the podcast resulting from the airtime dialogue is here on SoundCloud.
Happy note: Our time ended with Olga asking me if I would be interested in putting together a regular monthly show devoted to a place-based indigenous perspective, with guests and a wide variety of Abenaki-centric topics. Of course I said “Yes!” Centering on n’siboal – our rivers – and Wantastegok, we will explore local history, linguistics, politics, relationship to place and all of our relations, ways of being in the world, traditional skills, arts, music – you name it… culture is complex.
Photo by Kristopher Radder of the Brattleboro Reformer.
The film’s storyline is fragmentary, its focal point like a crack in a wall.
A young girl, chin tipped up to the microphone, fingers toying with a bead necklace, attempts to tell a room full of congressmen about the abuse her brother endured, but she chokes on an enormous sob and can’t go on. In a black-and-white photo of American Indian children at a boarding school, identical in their close-cropped and bobbed haircuts and plain clothing, the number of children grows larger and larger as the camera zooms out, and then, a moment later, the image becomes just one of many pinpoints on a map of the United States. A woman tells of having her mouth washed out with soap for speaking Penobscot and abruptly stops. The screen goes black.
Throughout the new documentary Dawnland, screening Oct. 19 in Dartmouth College’s Loew Auditorium, a sense of incompleteness, of halted revelations and impenetrable grief, pervades. As it explores a dark and largely overlooked aspect of American life, the film opens just a tiny fissure, grants only the smallest suggestion of healing.
It is, nevertheless, a start.
Read the full article by Sarah Earle in the Valley News.
Link to pdf of the 2018 Executive Proclamation by VT Gov. Philip Scott: Indigenous Peoples’ Day VT 2018
Biddeford Historical Society and Biddeford Pool Historical Society are co-hosting a weekend of events illuminating life in the 17th century colonial Province of Maine. Events are free, but donations are accepted/
“How the Saco River Got its Name: Wabanaki Place Names in Context,” will be held at 7 p.m. Friday, Aug. 24 at First Parish Meetinghouse, corner of Pool and Meetinghouse roads in Biddeford. Joe Hall, professor at Bates College, will present the program.
Plenty of people know that many placenames in Maine, such as “Saco,” come from Wabanakis, the indigenous group of this region. A few people might know what some of these words mean, such as that “Saco” means “a river outlet.” But what did it mean for Wabanakis to use these words and not others in their conversations with English colonists? In exploring that question, participants can see how Wabanaki place names tell us not only something about English-Wabanaki relations in the 1600s, but also how Wabanakis continue to have a presence in Maine in the centuries since.
Hall teaches colonial, American Indian and environmental history. He is researching the history of Wabanakis, Maine’s indigenous peoples, and is particularly interested in the ways that Wabanakis continued to cultivate ties to their homeland even as colonial peoples sought to dispossess them of it. In his lecture he will speak about the ways that Wabanaki place names offer some clues not only to how Wabanakis inhabited their homelands before colonists’ arrival, but also how they continued to inhabit those lands in the midst of colonization.
See the original listing in the Courier.
The town held its eighth-annual Abenaki and Indigenous Peoples Honoring Day on Saturday at Lyman Point Park, where an Abenaki canoeing village stood into the 18th century.
The day began early for Nate Pero. By the announced 11 a.m. start time, he had already grilled and cut 16 pounds of bison and moved on to cooking dozens of ears of corn. In years past, Pero got his meat from Vermont game wardens, sometimes coming away with a moose or bear that had been killed by a car or put down. “They haven’t given us any turkey yet,” he said. “I’d cook turkey.”
Pero is chief of the Koasek, an Abenaki band of some 300 members, most of whom live in Windsor and Orange Counties.
Read the full article by Gabe Brizon-Trezise in the Valley News.
Advocates for racial justice in Vermont hope that a recently created poster will soon be seen in schools, libraries, town offices and small businesses all over the state. The poster reads: “Please respect and protect N’Dakinna (our land) while you are here. This is the homeland of the Western Abenaki People.”
The wording and imagery on the poster was chosen with great care by Don Stevens, chief of the Nulhegan Band of the Coosuk Abenaki Nation, who worked with Quebec based Nulhegan Abenaki artist Jon Guilbault to make sure that the most important Abenaki cultural symbols would occupy a prominent place in the artwork.
“It is important to remember that we are but stewards of this land we occupy and are only one part of the web of life,” Chief Stevens said. “What we do to the earth, we do to ourselves. This poster is a reminder that the creator gave the Western Abenaki the responsibility to care for our land and in turn would provide for our needs. Once the land was taken from us, we could no longer fulfill this responsibility. We ask that you respect and protect the land so it will continue to provide for us all.“
See the full article in the Addison Independent.