On 7/24/18, Lynne Keating Murphy: the Sadoques Family in Keene, NH

lynn keating murphy keene cheshire county historical

Facebook Event listing here.

The Historical Society of Cheshire County will offer the first lecture of its 2018 Wyman Tavern Lecture Series Tuesday, July 24, at 7 p.m.

Lynn Keating Murphy, Abenaki Indian, master educator, and descendant of the Sadoques of Keene, will discuss the history of her family in the Connecticut River Valley and Quebec and their basket-making traditions. The history of the Sadoques family intersects with this area, and provides insights into the complex story of the Abenaki people in the region. The talk will be held at the historical society’s headquarters, 246 Main St. in Keene, and admission is free.

The theme of this year’s Wyman Tavern Lecture Series is “Indigenous people, history and culture into the 21st century.” The Wyman Tavern Lecture Series will continue Aug. 29 when Keith and Kathy Stavely do a book signing for their early American cooking book — “United Tastes: The Making of the First American Cookbook” — and Linda Stavely prepares samples of early American recipes including a Native-American-inspired dish.

On Oct. 7, The Colonial Theatre will host a showing of “A Good Day to Die” — a 2010 documentary that chronicles the American Indian Movement that fought for the civil rights of American Indians.

The series concludes Nov. 3 with a “Basket Day” at the historical society. Members of the public are invited to bring their baskets, and basket experts will be available at the full-day event to identify and record the age, origin, physical characteristics, and known history of each basket. Basket Day will end with a talk by basket expert Lynn Clark on the history of Native American baskets in the Monadnock Region and New Hampshire, and by Lynn Murphy on her family’s Abenaki Indian basket history.

More information: visit hsccnh.org or call 352-1895.

See the original listing in the Keene Sentinel.

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Institute for American Indian Studies Exhibit Features Abenaki Creative Process

vera longtoe sheehan aln8bak wearing our heritage

On February 24 at 2 p.m. the Institute for American Indian Studies, 38 Curtis Road, Washington, CT welcomes Vera Longtoe Sheehan, Abenaki, one of the creative minds behind the exhibit, “Alnobak Wearing Our Heritage.”

Vera Longtoe Sheehan, notes “this exhibit is unique because it is the first traveling exhibit about Abenaki people that are still here living on the land and creating wonderful things.” During this fascinating talk, Sheehan will explain how items in the current exhibition are made and used to express Native Identity.

This beautifully curated exhibit is composed of artifact clothing as well as contemporary pieces made by Vermont’s Abenaki artists, community members, and tribal leaders. The show offers a chronological look at Abenaki fashion and adornment. There is everything from a beautiful 17th-century style buckskin dress by Melody Walker Brook to a hip looking denim jean jacket with a Tolba or turtle design created by Vera Longtoe Sheehan.

 “The message of this exhibit is that we are still here and that we know our history and still respect and practice our culture,” said Longtoe Sheehan. Many of us practice both traditional designs and clothes such as the twined woven dress and handbag I made as well as contemporary designs using a jean jacket, in different ways, both connects my family tradition to thousands of years of our history.”

The Light Behind Our Eyes: Abenaki Perspectives on Personhood

light behind our eyes melody walker brook abenaki personhood poster

Melody Walker Brook is an educator, activist and artist, currently an adjunct professor at Champlain College. She was previously an adjunct professor at Johnson State College where she taught “Native American Worldview and Spirituality”; “Native American History and Culture”; and “Abenakis and Their Neighbors”.  She gives lectures on a variety of topics, including Abenaki history, women’s issues, and Abenaki political history. She has done ground breaking research on Abenaki Spirituality and is heavily involved in the Abenaki cultural revitalization movement.  She works with museums, lectures in both the K-12 and collegiate level classroom on topics relating to the Eastern Woodlands and indigenous history.

Come early to get one more chance to win one of the beautiful raffle items donated by the wonderful Pocumtuck Homelands Festival vendors last August. Doors open at 12:30 p.m.

An Evening with Vermont Abenaki Artists Association: Nov. 14 at the Flynn Center

bryan blanchette flynn center vaaa
“The story is here, but it’s been hidden. The Abenaki people, who were written out of the story, are still here.” —VPR

At the Flynn for the first time, the Vermont Abenaki Artists Association shares a performance of both traditional and contemporary Abenaki music, storytelling, and drumming. Performers include Chief Don Stevens, Chief of the Nulhegan band of the Coosuk Abenaki, Nulhegan Abenaki Drum, who combine traditional Northeastern music with the sound of the big powwow drumming, and Bryan Blanchette, a Berklee alumnus who started singing at powwows over 20 years ago and who is currently writing and performing new Abenaki language songs.

Tomorrow, November 14th, from 7:30-10 pm, at the Flynn Center for the Performing Arts, 153 main St., Burlington, VT 05401.

Tickets went on sale to Flynn members on Tuesday, July 18 and to the general public on Wednesday, August 2. Flynn membership starts at $50 and is available at any time. To become a member visit http://www.flynncenter.org/support-us/membership.html.

Abenaki Clothing Wears a Rich History

vera longtoe sheehan alnobak heritage mount kearsarge

Next time you see a person wearing a denim jacket or beaded earrings or bracelet, you might do well to take a closer look.

“This is sort of everyday wear that Native people would wear now, and it includes some kinds of things that non-Native people would wear too, but there’s just something about it that shows their native identity,” said Nancy Jo Chabot, curator of the Mount Kearsarge Indian Museum in Warner.

Chabot is the co-curator of a new exhibit at the museum “Alnobak: Wearing Our Heritage” that documents the way in which garments and accessories that reflect Abenaki heritage have been – and still are – made and used to express Native identity, according to museum officials.

“You start to see that in little elements in modern clothing,” she said of the portion of the exhibit depicting the current era, “things that wouldn’t look out of place for any modern person walking down the road, but for a Native person have these very distinctively heavy Northeast design elements.

“That’s a crucial, important part of anything we do here at the museum: (showing) that Abenaki people are here, are living, and creating wonderful things. And this exhibit in particular is to show that the Abenaki people that were here, where we are on this land right now, are still here.”

Vera Longtoe Sheehan, an Abenaki teaching artist, activist and director of the Vermont Abenaki Artists Association curated the exhibit with Chabot. This exhibit was unique, Sheehan said, in that it is the first traveling exhibit about Abenaki culture co-curated by an Abenaki person and that has been accepted in mainstream galleries such as the Amy Tarrant Gallery at the Flynn Performing Arts Center in Burlington, Vt., in addition to museums.

Read the full story by Melanie Plenda in the Union Leader.

Separating the Penobscot From Their River

Penobscot-Indian-Nation-Rally-June-30-2017-–-Courtesy-Penobscot-Indian-Nation

On June 30, a federal appeals court upheld a lower court ruling that severs the Penobscot Indian Nation  from the waters of the Penobscot River, a ruling that Penobscot Indian Nation Chief Kirk Francis says is reminiscent of federal termination policy—or worse.

“The river and our relationship to it and the 200 islands [that form the reservation] are the core of our cultural identity. If our ability to protect the river is taken away, we lose a big part of who we are,” Francis told ICMN.

Read the full story by Tanya Lee in Indian Country Today.