Brooks Library (Wantastegok): Wearing Our History – Abenaki Artists Panel Discussion

Vermont Abenaki Artists Association Aln8bak Wearing Our Heritage

Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. Some of the topics will include: The Indian Arts and Crafts Law of 1990; art informed by tradition and what it means to be a Native American artist in the 21st century; honoring the past through art, and how artists walk the Red Road recognizing our ancestors. The panel will include [Elnu Abenaki] S8gm8 (Chief) Roger Longtoe Sheehan and Willow Greene, moderated by Vera Longtoe Sheehan.

This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Find out more about the event and panel at http://brookslibraryvt.org or (802) 254-5290.

Wednesday, November 8 at 7 PM – 9 PM
Brooks Memorial Library
224 Main St, Brattleboro, Vermont 02645

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Abenaki Clothing Wears a Rich History

vera longtoe sheehan alnobak heritage mount kearsarge

Next time you see a person wearing a denim jacket or beaded earrings or bracelet, you might do well to take a closer look.

“This is sort of everyday wear that Native people would wear now, and it includes some kinds of things that non-Native people would wear too, but there’s just something about it that shows their native identity,” said Nancy Jo Chabot, curator of the Mount Kearsarge Indian Museum in Warner.

Chabot is the co-curator of a new exhibit at the museum “Alnobak: Wearing Our Heritage” that documents the way in which garments and accessories that reflect Abenaki heritage have been – and still are – made and used to express Native identity, according to museum officials.

“You start to see that in little elements in modern clothing,” she said of the portion of the exhibit depicting the current era, “things that wouldn’t look out of place for any modern person walking down the road, but for a Native person have these very distinctively heavy Northeast design elements.

“That’s a crucial, important part of anything we do here at the museum: (showing) that Abenaki people are here, are living, and creating wonderful things. And this exhibit in particular is to show that the Abenaki people that were here, where we are on this land right now, are still here.”

Vera Longtoe Sheehan, an Abenaki teaching artist, activist and director of the Vermont Abenaki Artists Association curated the exhibit with Chabot. This exhibit was unique, Sheehan said, in that it is the first traveling exhibit about Abenaki culture co-curated by an Abenaki person and that has been accepted in mainstream galleries such as the Amy Tarrant Gallery at the Flynn Performing Arts Center in Burlington, Vt., in addition to museums.

Read the full story by Melanie Plenda in the Union Leader.

Tech Helps Abenaki Spread Understanding of Native Culture

dustin lapierre vaaa phone app

“Alnobak: Wearing Our Heritage,” a traveling exhibit, brings a group of objects and images to audiences in New England that explore Native American identity in modern culture, by asking, “What does it mean to be an Abenaki person in the modern world? What does it mean to be an indigenous artist?”

The exhibit documents the way in which garments and accessories that reflect Abenaki heritage express native identity.

The traveling exhibit, developed through a partnership of the Vermont Abenaki Arts Association and the Lake Champlain Maritime Museum, is enhanced by a newly available app that delivers additional content about the exhibit. The Google Play store has released the new Android app, available for Android devices only, called Vermont Abenaki Artists Association.

Read the full article by Sarah Galbraith in the Rutland Herald.

Presenting Abenaki Culture in the Classroom Workshop

vermont abenaki artists association cultural education

Members of the Vermont Abenaki Artists Association serve as faculty for this one-day professional development seminar at Lake Champlain Maritime Museum (LCMM), designed to provide teachers and homeschool educators with new resources and techniques to help elementary students learn about the Abenaki tribe. This program is supported by a grant from the Vermont Humanities Council.

Abenaki culture and history that spans 11,000 years in the Champlain Valley will be introduced by culture bearers with a deep understanding of how this vibrant regional culture continues into the 21st century. Some of the topics include: history and stereotypes; new resources being developed for use in classrooms; age-appropriate activities; and learning how you can better support Abenaki and other Native students while presenting American history. The program includes a gallery talk and tour of the traveling exhibition Alnobak: Wearing Our Heritage that explores Abenaki identity and continuity through the lens of the clothing we make and wear to express our identity.

When: Wednesday, August 2, 2017 from 9:30 am – 4 pm
Where: Lake Champlain Maritime Museum, 4472 Basin Harbor Rd., Vergennes, VT
Cost: $15 registration fee includes lunch and program materials.

Instructors:

Melody Walker Brook is an Adjunct Professor at Champlain College and has taught The Abenakis and Their Neighbors and Abenaki Spirituality at Johnson State College. She serves on the Vermont Commission of Native American Affairs and is a traditional beadworker and finger weaver.

Liz Charlebois, Abenaki culture bearer, is a powwow dancer, traditional bead worker, ash basket maker, and bitten birch bark artist. She cultivates a traditional garden and has organized a seed bank of heirloom seeds grown by the Indigenous people of the Northeast. Liz has served on the New Hampshire Commission of Native American Affairs and as Education Specialist at the Mt. Kearsarge Indian Museum in Warner, NH.

Lina Longtoe is certified Project WILD instructor for the Growing Up WILD, Aquatic WILD and Project WILD K – 12 programs, which are sponsored by the EPA, US Fish and Wildlife, and the National Wildlife Federation. Her area of study is environmental science with a concentration in sustainability. She is Tribal Documentarian for the Elnu Abenaki Tribe and maintains a YouTube channel to help preserve Abenaki culture.

Vera Longtoe Sheehan, Director of the Vermont Abenaki Artists Association, has a background in Museum Studies and Native American Studies. She has been designing and implementing educational programs with museums, schools and historic sites for over twenty-five years. Her art is focused on traditional clothing and twined woven plant fiber bags.

For more information, please contact:
Vera Longtoe Sheehan, Vermont Abenaki Artists Association vera.sheehan@abenakiart.org

Annual Abenaki Heritage Weekend at Lake Champlain Maritime Museum

Next weekend, June 24 &25, 2017, at Lake Champlain Maritime Museum in Vergennes, Vermont. This is a wonderful, friendly, and positive gathering. A schedule of the planned activities is below:

abenaki heritage weekend schedule

Art Review of Aln8bak: Wearing Our Heritage, at the Amy E. Tarrant Gallery

vera longtoe sheehan twined textiles

In May 2012, then Vermont governor Peter Shumlin signed into law the state recognition of four of Vermont’s Abenaki tribes: the Elnu, Nulhegan, Koasek and Missisquoi. The victory had more than symbolic significance: Formal recognition meant that many of Vermont’s contemporary indigenous artists could begin legally to label their work as “American Indian.” According to Elnu Abenaki member Vera Longtoe Sheehan, access to this designation has opened many new doors — including, at least indirectly, doors to galleries.

Such fraught politics of visibility and authenticity are very much at the heart of “Alnobak: Wearing Our Heritage,” now on view at the Amy E. Tarrant Gallery in Burlington. The show offers a chronological survey of Abenaki fashion and adornment, from the pre-Champlain era to the present day, accompanied by both modern and historical photographs.

There’s a twist, though: Almost all of the objects on view are contemporary, regardless of the era they were created to represent. While reproductions are often considered to be lesser facsimiles, in this case, the absence of “traditional” artifacts speaks to the 20-plus artists’ ongoing commitment to making their history and heritage come alive.

Read the full article by Rachel Elizabeth Jones in Seven Days.