Listen to Hartmann’s presentation at MCTV, from the Nolumbeka Project:
The story of King Philip’s War, which ended  years ago, may be central to the history of this place, marked in locations like King Philip’s Hill in Northfield, the Bloody Brook Battle monument in Deerfield, and even King Philip restaurant in Phillipston. The three-year armed conflict is largely blamed on attacks on colonial settlers by Wampanoags and other native “savages.”
But a book released this week by Amherst College associate professor Lisa Brooks, an Abenaki, depicts the prolonged war on a dozen settlements throughout much of the region as more complex. And it’s seen as the result of mistaken assumptions English settlers made about the native tribes.
What’s more, Lisa Brooks’ “Our Beloved Kin” (Yale University Press) is based on written letters and other materials written by those Indians, who are largely assumed to have been illiterate. And the creative, readable telling by this associate professor of English and American studies she describes as a relevant and timely interpretation, suggesting the plight of refugees and racial profiling.
Her history, which traces the interwoven paths of three characters — Wampanoag leader Weetamoo, who as a woman is less known than Metacomet (aka King Philip); James Printer, the persecuted Christian Nipmuc; and Mary Rowlandson, the Puritan woman whose own account of her capture in Lancaster is recast in this deeper interpretation.
This article also appeared in the Hampshire Gazette on 1/25.
Patricia Harris and David Lyon in the Boston Globe, November 3, 2017
In November, most of us turn our thoughts to big turkey dinners and first-wave English settlers in long stockings and buckle hats. Conventional Thanksgiving lore does give props to Massasoit and Plymouth-area Wampanoag for bringing most of the food to dinner. But the Pilgrims are only one part of the story. The Wampanoag Homesite at Plimoth Plantation depicts Native life vividly, but here are a half dozen museums that focus exclusively on the indigenous side of New England’s heritage. By the way, they are all closed on Thanksgiving, and some will soon close for the winter.
Abbe Museum, Bar Harbor, ME
In May 2016, the Abbe Museum unveiled “People of the First Light.” The new core exhibit takes its name from the term that many indigenous people of the Northeast — including the five nations of the Wabanaki Confederacy — use to describe themselves. They are the people of the sunrise, and the exhibit likewise marks a new day for the Abbe. Originally a small museum in Acadia National Park, the Abbe opened in 1928 to interpret Native artifacts found around Frenchman Bay. The modern downtown facility now tells a more comprehensive story of 12,000 years of indigenous culture in the Wabanaki homeland, and it does so from a Native perspective.
Tribal historians, artists, and educators advised in exhibit development. Gina Brooks, a Maliseet artist from New Brunswick, created dramatic illustrations of legends and tales from the oral tradition that inform many exhibits. The Abbe’s science and ethnography remain as rigorous as ever, but learning about the continuity of indigenous culture in the voices of the people themselves brings an immediacy to the experience. 26 Mt. Desert St., Bar Harbor, Maine. 207-288-3519, abbemuseum.org. Open through April Thurs.-Sat. 10 a.m.-4 p.m., closed January. Free until Dec. 22. Otherwise, adults $8, seniors $7, ages 11-17 $4, ages 10 and under free.
Mt. Kearsarge Indian Museum, Warner, NH
Founded by Charles and Nancy Thompson, the Mt. Kearsarge Indian Museum represents a singular vision of a master collector. Inspired by a school visit from Pequot sachem Silverstar when he was in the second grade, “Bud” Thompson amassed a major collection of artifacts and artwork representing tribes across North America. The museum sits in the homeland of the Abenaki (one of the five peoples of the Wabanaki Confederacy) and about a quarter of the collection represents peoples of the Northeast. Many works chronicle the growth of basketry and beadwork as Native economic mainstays in the late 19th and early 20th centuries. The contemporary art gallery features two exhibits each year guest-curated by members of the Native community. 18 Highlawn Road, Warner, N.H. 603-456-2600, indianmuseum.org. Open through Nov. Sat.-Sun. noon-5 p.m. Adults $9, seniors and students $8, ages 6-12 $7, family $26.
Mashpee Wampanoag Indian Museum, Mashpee, MA
Created in 1970, more than three centuries after the establishment of Mashpee as a “praying village,” this compact museum and cultural center occupies a circa-1793 half-Cape home in the historic heart of the Mashpee Wampanoag homeland. (Eighty-five percent of tribal members live within 20 miles.) It sits next to the historic Herring Run, where some Wampanoag still harvest fish in the early spring.
This year the museum has seen a swell of visitors eager to learn more about the Wampanoag. One of the first things they learn is that Wampanoag culture finds many opportunities for thanksgiving throughout the year. The museum focuses principally on the post-1620 era, and on the contributions and achievements of Wampanoag people. A small but fascinating exhibit on Native American whaling is up this fall, but may be coming down next year. Although the museum closes for the winter on Dec. 1, off-season visitors can see a traditional round, bark-covered Wampanoag house on the grounds. 414 Main St., Mashpee. 508-477-9339, MashpeeWampanoagTribe-nsn.gov/museum. Open through Nov. Mon.-Fri. 10 a.m.-4 p.m. Adults $5, ages 6-18 $2, seniors and educators $4, family $10.
Tomaquag Museum, Exeter, RI
You’ll meet a lot of indigenous people in the exhibits at this museum in the heart of Narragansett country. One display features two-time Boston Marathon winner Ellison “Tarzan” Brown. Another sketches the achievements of tribal historian Mary Glasko. Known as Princess Red Wing, she served as a delegate to the United Nations and co-founded the museum in 1958. The last living Narragansett sub-chief, 96-year-old Kenneth “Strong Horse” Smith, donated his turkey feather headdress and other ceremonial clothing for another exhibit. Connections span the generations. A beautiful circa-1850 Narragansett bark canoe hanging from the rafters comes from the family of executive director Lorén Spears.
Continuity is omnipresent. Next to historic Narragansett baskets with now-faded stamped vegetable dye designs is a case showing how a contemporary basketmaker constructs a traditional basket. Everything in the museum seems to have a story, often including the name of the person who made it, wore it, used it, or passed it down. Each quarter, the museum showcases a different contemporary Native artist, many of whom sell their work in the museum’s gift shop. 390 Summit Road, Exeter, R.I. 401-491-9063, tomaquagmuseum.org. Open all year Wed. 10 a.m.-5 p.m. and Sat 10 a.m.-2 p.m. Adults $6, seniors and students $5, children $3.
Mashantucket Pequot Museum & Research Center, Mashantucket, CT
Filling an airy modern building in the woods near Foxwoods Casino, this museum pulls out all the stops to relate the history and flesh out the cultural nuances of what it means to be Pequot. An archaeological dig on the Mashantucket reservation places the earliest settlement as 9,500 years ago, just as the glaciers receded. But the exhibits quickly move on to more recent eras.
When European colonists arrived, the Pequot were a prosperous nation that held sway over large parts of what is now Connecticut. Moving exhibits detail their near-extinction in the 17th century and their dwindling numbers and influence thereafter. This institution shines at teasing out the palpable resilience of people who clung to their identity through all forms of adversity. The exhibits are so thorough and compelling that it is easy to spend half a day here — a small investment of time to become acquainted with a people. 110 Pequot Trail, Mashantucket, Conn. 800-411-9671, pequotmuseum.org. Open through Nov. Tues.-Sat. 9 a.m.-5 p.m. Adults $20, seniors and college students $15, ages 6-17 $12.
Nearby, the Mohegan Tribe operates a small museum with a diverse collection of objects from many Northeastern, Plains, and Southwestern tribes. Call the Tantaquidgeon Indian Museum (1819 Norwich-New London Turnpike, Uncasville, Conn., 860-848-3985, mohegan.nsn.us) ahead as opening hours can vary.
Institute for American Indian Studies, Washington, CT
Located on a wooded 15-acre campus in the Litchfield Hills, this museum has carried out more than 500 archaeological excavations in Connecticut since it was founded in 1975. The outdoor replica of an Algonkian Village is an especially evocative large-scale display of woodland life in the period 350-1000 years ago. The museum also works with all five state-recognized tribes (the Mashantucket Pequot, the Eastern Pequot, the Mohegan, the Schaghticoke, and the Paugussett) for contemporary programs. 38 Curtis Road, Washington, Conn. 860-868-0518, iaismuseum.org. Open all year Weds.-Sat. 10 a.m.-5 p.m., Sun. noon-5 p.m. Adults $10, seniors $8, ages 3-12 $6.
The 4th Annual Pocumtuck Homelands Festival, a celebration of Native American Art, Music, and Culture, takes place on Saturday, August 5, 2017, from 10 a.m. to 7 p.m. at Unity Park Waterfront in Turners Falls, MA. The event is free, family friendly, fun, educational, accessible, and of interest to all ages.
Performances include live traditional, original, and fusion music, a story teller, and three drum groups. There will be outstanding Native American artists, and games, activities and crafts for children. Also featured will be primitive skills demonstrations, a books and authors section, and condensed history lessons about Great Falls. The Mashantucket-Pequot archaeology team will be on site for the second time to analyze early contact period artifacts people bring to them. And Tim MacSweeney, keeper of the website Waking Up On Turtle Island, can help explain the significance of threatened sites considered sacred to the tribes such as in Shutesbury and Sandisfield. Food will be available, including Native American fare.
Performers will be Hawk Henries, Nipmuc flute player and flute maker; the Kingfisher Singers and Dancers, Wampanoag from the Mashpee, Aquinnah, and Herring Pond communities; story teller Larry Spotted Crow Mann, Nipmuc; the Medicine Mammals Singers; and Lee Mixashawn Rozie, who uses instrumental virtuosity and stories to illuminate the indigenous and African roots of “American” music. Be energized by the presence of three drums: Chief Don Stevens and the Nulhegan-Coosuk Band of the Abenaki Singers, plus returning favorites, the Black Hawk Singers (Abenaki), and the Visioning B.E.A.R. Circle Intertribal Coalition Singers.
Organized by the Nolumbeka Project: Saturday, May 20, 2017 at the Great Falls Discovery Center, 2 Avenue A, Turners Falls, MA.
• Doors open at 10 a.m. We are offering ample time during the day and between presentations for conversations, personal reflections and individual touring of this historically significant district of Great Falls and the 341st anniversary of the battle that changed the course of King Philip’s War
• 10:30 a.m. – Presentation by Nolumbeka Project Board members David Brule and Nur Tiven.
• 1 p.m – Ceremony officiated by Tom Beck, Medicine Man and Ceremonial Leader
of the Nulhegan – Coosuk Band of the Abenaki Nation.
• Special guests during the day include Loril Moondream of Medicine Mammals and Strong Oak of Visioning B.E.A.R. Circle Intertribal Coalition.
From the posting:
Teaching Native American Histories is a 2-week program held in the Wampanoag homeland (aka Cape Cod), July 16-28, 2017. The co-directors are Linda Coombs (Aquinnah Wampanoag) from the Aquinnah Cultural Center and Alice Nash, who teaches History at the University of Massachusetts Amherst. This Summer Institute is funded by the National Endowment for the Humanities. There is no cost for the program itself and each of the 25 Summer Scholars will receive a $2,100 stipend to defray the cost of travel, lodging, food and books.
It would be great to have a mix of Indigenous and non-Indigenous teachers from different parts of the country, with a range of teaching interests, who can thrive on long days and intensive learning. A major benefit of the format is that teachers get to meet and work with other teachers.
The application deadline is March 1, 2017.
Reprinted with permission from the author…
My message to the Turners Falls School Board Committee:
Dear School Board:
I have just a few things about the Turners Falls mascot issue and local history.
This issue is not a surprise. The community near Great Falls doesn’t know the history. Who exactly wrote the account of what happened in Turners Falls? Let’s be clear. It was not the Pocumtuck or Wampanoag or any of the other tribes who lost their lives on that fateful day.
Time after time, war after war, history is told (or not told) by the victor, the winner of the conflict.
When I interviewed leaders of the Eastern Pequot years back, I wanted Connecticut to know its own history, largely unwritten, hidden. Marcia Flowers said “we’ve been cleaning people’s houses for the past 300+ years.”
Indian people knew it was best to be invisible. Many still feel this way: invisible.
Pequot scalps? The bounty was $100 in colonial times. $100 is like a million dollars today, right?
Why don’t we all know this?
We’re not supposed to know.
This issue over mascots makes it clear. We argue over history. If it creates conflict, this is exactly how the oppressor and oppression works.
We in North America are literally educated to be ignorant of the true history. It’s a blood-soaked path in the pioneer valley and westward. Fictions were crafted by the nation builders who used war/massacre/colonization on the First Nations Indian People yet these facts were diminished or erased. Hiding truth and history only perpetuates continued racism and intolerance.
Your Indian mascot doesn’t honor anyone but reveals our ignorance.
Trace Lara Hentz, Greenfield, MA, former editor of the Pequot Times