Kendall and the Weathersfield Pine: Another Memory Marker

pines meetinghouse hill rain autumn

Edward Augustus Kendall was a British traveller, translator, social campaigner and writer. He is best known to Americans as the author of a journal with the self-explanatory title of “Travels through the northern parts of the United States in 1807 and 1808, in 3 volumes” (New York, I. Riley, 1809). His name will come up elsewhere on this blog as a chronicler of the petroglyphs at “Indian Rock,” as he knew the carvings at the mouth of Wantastekw/West River, at Wantastegok/Brattleboro. That account is also found in the aforementioned  travel journal; fyi, the references to Vermont instances of Native carving are all recounted in Volume 3.

Kendall recounts that he saw a pine tree in Weathersfield, VT with carvings on four different facets of the trunk. He may have made some leaps of logic in his explanations, but the observation itself stands as an example of memory marking in the landscape utilizing trees, similar to that of Quintin Stockwell’s account at Pocumtuk. We can discuss his interpretations of the individual figures that he witnessed in another post down the line. As Kendall’s book hasn’t been digitized to my knowledge, but it has been scanned, I post here screenshots of his narrative from the pertinent section:

kendall travels weathersfield 1

kendall travels weathersfield 2


kendall travels weathersfield 3

Kendall’s historical attribution of the pine carvings may be a little off too, dating it to the 1704 Deerfield raid.  But that’s not something we need to disparage right now. Suffice it to note that his record is another example of awighigan encoded in landscape features.



Wantastegok: Tracing the Stories

kendall weathersfield vt carved tree

Edward Augustus Kendall, “Travels Through the Northern Part of the United States, in the Years 1807 and 1808,” Vol. 3, 1809, p. 207.

It’s time to begin a concerted effort to post markers from the many story trails I am tracing, some faint, some bold, as a part of the project I call “Reclaiming Wantastegok.” Some are drawn from the (often scant) written European record, others are extrapolated from the land itself.  This an exercise in, as Lisa Brooks has phrased it, “reclaiming Native space.” Stories are told, changed, omitted, discarded, forgotten, fabricated. But they are all still here,  responsive to those who will listen – this is the land where they originate – they are of this landscape. Indeed, indigeneity is expressed as that which is original to a place – in fact, inseparable from it – and they are the aspects, be they human or other-than-human, that define it, with its complex relationships, as distinct.

Some of these traces may lead in several directions. Others may circle back and overlap. Still others may open up into a network of connections as yet unseen. Together, they can help to re-imagine, restore, reclaim, and revitalize what it means to “be this place.” The Sokwakiak Abenaki are the original people of this place. These understandings are for/with/of/from them – the Aln8bak, their ancestors, their allies, and all of their relations.  Kchi wliwni – with great thanks. K’wlibaamkani – good travels for you.