Abenaki Clothing Wears a Rich History

vera longtoe sheehan alnobak heritage mount kearsarge

Next time you see a person wearing a denim jacket or beaded earrings or bracelet, you might do well to take a closer look.

“This is sort of everyday wear that Native people would wear now, and it includes some kinds of things that non-Native people would wear too, but there’s just something about it that shows their native identity,” said Nancy Jo Chabot, curator of the Mount Kearsarge Indian Museum in Warner.

Chabot is the co-curator of a new exhibit at the museum “Alnobak: Wearing Our Heritage” that documents the way in which garments and accessories that reflect Abenaki heritage have been – and still are – made and used to express Native identity, according to museum officials.

“You start to see that in little elements in modern clothing,” she said of the portion of the exhibit depicting the current era, “things that wouldn’t look out of place for any modern person walking down the road, but for a Native person have these very distinctively heavy Northeast design elements.

“That’s a crucial, important part of anything we do here at the museum: (showing) that Abenaki people are here, are living, and creating wonderful things. And this exhibit in particular is to show that the Abenaki people that were here, where we are on this land right now, are still here.”

Vera Longtoe Sheehan, an Abenaki teaching artist, activist and director of the Vermont Abenaki Artists Association curated the exhibit with Chabot. This exhibit was unique, Sheehan said, in that it is the first traveling exhibit about Abenaki culture co-curated by an Abenaki person and that has been accepted in mainstream galleries such as the Amy Tarrant Gallery at the Flynn Performing Arts Center in Burlington, Vt., in addition to museums.

Read the full story by Melanie Plenda in the Union Leader.

Liz Charlesbois Works to Honor Indigenous Foods and Culture

liz-charlesbois-gardens

Liz Charlebois is bringing indigenous food traditions back to the community, one seed – dried on an old pizza box – at a time. Seeds sat in one such container in Charlebois’ office at the Mt. Kearsarge Indian Museum last week, surrounded by their source: massive, orange, Buffalo Creek squash. They were grown and harvested last month on the grounds of the Warner museum, where Charlebois works as education director.

Charlebois, 41, grew up in Harrisville and is Missisquoi Abenaki. While she was raised in Native American culture, she said she’s taken a special interest in indigenous foods only recently. She’s particularly concerned about preserving indigenous seed varieties in the era of big agriculture and access to healthful, nourishing foods for existing native communities.

Read this encouraging story in the Concord Monitor.