The Abbe Museum’s education team will be hosting a specialized dialogue program surrounding the use of the American flag motif in Wabanaki art. Participants will be prompted with questions to guide the conversation and have opportunities to share insights.
The cost of participating is $9 and includes admission for the rest of the day at our two locations!
There are a limited number of spaces for this one of a kind program. Please register by emailing email@example.com or call 207-801-4081.
Original post in the Bangor Daily News.
The Fredericton Regional Museum is putting the finishing touches on a new First Nations exhibit. It’s called The Wabanaki Way and opens to the public on June 9. But the museum offered a sneak peak Tuesday, led by Ramona Nicholas from Tobique First Nation.
“The Wabanaki means the People of the Dawn, and this is what we call each other as a larger group that include the Mi’kmaq, Wolastoqiyik, Passamaquoddy, Penobscot,” said Nicholas. “It’s a large territory but in this exhibit we’re just focusing on here in New Brunswick.”
Read the article in CBCNews – New Brunswick.
A talk was given by Dr. Margaret Bruchac on Sunday, Dec. 4, 2016 at Historic Northampton, 46 Bridge Street, Northampton, MA, entitled “The Wampum Trail: Restorative Research in Native American Collections”
A pdf of the flyer for the presentation can be seen here.
The “Wampum Trail” research project examines the use of northeastern Native American quahog and whelk shell beads for adornment, ritual, and diplomacy. During the early 1600s, wampum beads were widely used in trading exchanges throughout the Connecticut River Valley, but wampum’s significance was more than merely monetary. Native artisans used distinctive weaving techniques (with sinew, leather, and hemp), bead selections (including glass, stone, and other anomalous beads), and patterns (both abstract and figurative) to construct belts that recorded important material and diplomatic relationships.
By re-visiting archival sources and analyzing the construction of beads and belts in museum collections, Dr. Bruchac has recovered many previously overlooked material details. She also consults with present-day Native American wampum-keepers to develop effective strategies for recovering other hidden Native American object histories in museum collections. For more information, see her research blog, “On the Wampum Trail,” and her articles on the Penn Museum Blog, “Beyond the Gallery Walls.”
Dr. Margaret M. Bruchac is an Assistant Professor of Anthropology, Associate Professor of Cultural Heritage, and Coordinator of Native American and Indigenous Studies at the University of Pennsylvania. From 2003-2010, she served as the Five College Repatriation Research Liaison, and from 1998-2010, she served as a Trustee of Historic Northampton. Her publications include “Native Presence in Nonotuck and Northampton,” in A Place Called Paradise: Culture and Community in Northampton, Massachusetts, 1654-2004 (Kerry Buckley, ed., University of Massachusetts Press 2004), and “Lost and Found: NAGPRA, Scattered Relics and Restorative Methodologies” (Museum Anthropology 2010).
Late in the autumn of 1931, a half-blind, crutch-bound Mohegan tribesman hatched an ambitious plan: to establish a museum to display and preserve his tribe’s cultural artifacts for future generations. Wednesday, the Tantaquidgeon Indian Museum celebrated 85 years of fulfilling that mission – a milestone tribe members say makes it the oldest and most influential Native American museum in the world.
“John Tantaquidgeon and his two children, Gladys and Harold, were really the dreamers behind this whole thing,” Mohegan Medicine Woman Melissa Tantaquidgeon Zobel, Gladys Tantaquidgeon’s great-niece and once-pupil, said. “They had this philosophy that it’s hard to hate someone who you know a lot about, and by doing this as a labor of love they were able to share their language, their history and their culture with people.”
Full coverage at the Norwich Bulletin.
The special exhibit “Wearing Our Heritage” offers rare opportunity to see clothing worn by Abenaki men and women of earlier generations. Abenaki scholar and activist Frederick M. Wiseman has gathered original garments and accessories to assemble representative outfits like those worn by Abenaki men and women before 1850 as well as outfits for a man and a woman during in the 1900s through 1920s. The exhibit also includes examples of accessories such as moccasin tops, collars, head bands, needle cases and pouches.
Read the full description on the Lake Champlain Maritime Museum blog.
The Abbe Museum has begun making its non-archaeological items available online with the goal of uploading all such items to its searchable database over the course of the next 12 months.
“We have been looking forward to sharing our collections online for a long time,” said Julia Gray, director of collections and interpretation. “With only a small portion of our collections on exhibit at any time, this gives people a chance to see so much more and to learn about Wabanaki history and culture through art and objects from anywhere in the world. We are also excited to use this as a platform to welcome Wabanaki community input and perspectives on our collections.”
Full story at Mount Desert Islander.