Edward Augustus Kendall was a British traveller, translator, social campaigner and writer. He is best known to Americans as the author of a journal with the self-explanatory title of “Travels through the northern parts of the United States in 1807 and 1808, in 3 volumes” (New York, I. Riley, 1809). His name will come up elsewhere on this blog as a chronicler of the petroglyphs at “Indian Rock,” as he knew the carvings at the mouth of Wantastekw/West River, at Wantastegok/Brattleboro. That account is also found in the aforementioned travel journal; fyi, the references to Vermont instances of Native carving are all recounted in Volume 3.
Kendall recounts that he saw a pine tree in Weathersfield, VT with carvings on four different facets of the trunk. He may have made some leaps of logic in his explanations, but the observation itself stands as an example of memory marking in the landscape utilizing trees, similar to that of Quintin Stockwell’s account at Pocumtuk. We can discuss his interpretations of the individual figures that he witnessed in another post down the line. As Kendall’s book hasn’t been digitized to my knowledge, but it has been scanned, I post here screenshots of his narrative from the pertinent section:
Kendall’s historical attribution of the pine carvings may be a little off too, dating it to the 1704 Deerfield raid. But that’s not something we need to disparage right now. Suffice it to note that his record is another example of awighigan encoded in landscape features.
One cannot care about that of which you are ignorant.
Charity begins at home.
Education, awareness, understanding. #respect#indigenous
State officials saw in the Vilas Bridge and nearby petroglyphs an opportunity to try out their latest gadget.
“LiDAR,” Vermont State Archaeologist Jess Robinson said, referring to a terrestrial Light Detection and Ranging unit, “creates very detailed three-dimensional models. This is becoming very popular in archeology as a form of virtual curation; to preserve things in three dimensions and in real space and be able to broadcast them when the actual artifacts or, in this case, the petroglyphs are not available to people.”
Last Thursday, the Vermont Division for Historic Preservation and the Agency of Transportation tested out the equipment specifically purchased for documenting the Vilas Bridge. One of the officials had suggested scanning the petroglyphs to get “a very detailed record of them at this point of time,” said Robinson.
For his exhibition, Tim Brookes carved phrases into indigenous wood using disappearing or endangered alphabets from across the globe. Pictured, in Abenaki, the phrase, ‘Language of the grandfathers who went before’ is carved into a plank of walnut. Photo from VPR.
Six years ago, writer and Champlain College professor Tim Brookes carved letters into wooden planks to give to family as holiday gifts. The presents were well received and Brookes enjoyed his new hobby. He added new and different alphabet letters and languages to his hand-carved signs. Then, by chance, Brookes learned just how many of the globe’s writing systems were disappearing and a project was born: The Endangered Alphabets Project.
Brookes talked with VPR about the Endangered Alphabets Project exhibition, up now at Champlain College through March 10. The thirteen carvings each bear the phrase, “Mother Tongue,” written in Abenaki, Balinese, Mandean, Inuktitut and several other cultures whose written word is disappearing.